Kelly Casanova Weaving Lessons

Black and white photography

Black and white photography is, to me, the most captivating photography. 

Stripped back and pared down the image speaks volumes.

When I first learned photography at the age of 16, I developed my photos only in black and white.

Perhaps this explains my attachment and love for black and white. Watching images appear on the photo paper as I worked through the developing process was really quite magical.

I love colour too, but sometimes these days we are a little over saturated with it and can’t appreciate the message or feel of an image because it screams at our senses.

A black and white image is quiet, unobtrusive and gentle.

It invites the eye to take it’s time, to drink in the image and all it contains.


The classic timelessness of a black and white will never cease to appeal to me. 

I haven’t been picking up the camera a great deal lately, the cold weather begs me to stay indoors at the loom or the wheel (and fibre is so warm!) But I have been going over some older images and re-editing in black and white. I’m really enjoying the process and seeing the images from a completely different aspect.

How about you? Do you like black and white too? What do you like (or not like so much) about it? 

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