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weaving yarn

Ask Kelly – Which cotton weight for kitchen towels?

by Kelly 5 Comments

Appropriate yarns and yarn weight for kitchen towels is a subject that pops up regularly in the weaving world. Seasoned towel weavers usually have their favourites and have good reasons for doing so, I know that I certainly do!

Today’s question is specifically about a good yarn weight for kitchen towels, but it provides a good opportunity for discussing other important aspects of yarn in general for kitchen towels.

“Hi Kelly! I have a question that I just cannot seem to get answered! 

Would it work to get a decent weight kitchen towel if I use 8/2 cotton, double weave and a 10 dent reed? I do not have another size of reed. I have an Ashford Rigid Heddle loom. 

I just worry that it won’t be a good weight…I so appreciate your help. I love your classes and have several of them! “

Hi Vicki,
I have woven a few sets of towels on my rigid heddle loom with a 10 dent reed just by doubling the warp and then using a single weft.

While I do think that a 12-12.5 dent heddle gives a slightly better result, the 10 dent towels still work out fine 😊

To elaborate on my answer to Vicki, I find that a sett that is a little closer is better than a sett that is a little too loose. A kitchen towel is a hardworking asset to your kitchen, so you want to make sure that it will not only do the job well, it will also last a long time.

An appropriate sett will also ensure suitable absorbency, which is very important for a kitchen towel!

Still addressing Vicki’s question, you have a couple of options for how to double your sett when weaving with a rigid heddle loom.

I usually go for the easiest option, which is to simply double your ends using one heddle. An example of this would be similar to what Vicki planned to do – use 1 x 10 dent heddle and double the warp. A really simple way to do this is to thread one warp loop through every hole and every slot for the width of your project. That way, when you get to the threading part you are one step ahead and can progress to the tie on without threading the holes separately.

Another option is to use two heddles of the same size for your warp. When actually weaving, you can hold the two heddles together to beat or just beat with the front heddle. This technique is outlined (along with a threading chart) in Jane Patrick’s Weaver’s Idea Book and also Syne Mitchell’s Inventive Weaving on a Little Loom.

I do have a lot of resources for which yarns are best for which projects, but I will share with you my favourite “recipe” for kitchen towels.

I love to use 8/2 cottolin which is a blend of cotton and linen. This works so well because you get the benefits of using linen without some of the difficulties. It’s just like weaving with 8/2 cotton except it can be quite hairy and shed fibres while it’s on the loom.

The cottolin softens up beautifully after a wash and is very absorbent.

My second favourite yarn for kitchen towels is the reliable 8/2 cotton. I love that it comes in such a huge range of colours. I frequently combine cottolin and cotton in one towel project and it works out great.

If you’re looking for some more resources relevant to this article, check these out:

Which cotton yarn should I use?

What yarn is best for weaving?

My tips for weaving with cottolin…

Or if you’re looking for some towel patterns to weave:

Bright & Beautiful Towels…

Diamond Stripe Towels…

Happy Fibonacci Towels…

I hope you have found some helpful information here today and until next time…

Happy Weaving!

*This post contains affiliate links. For more information, please see my disclosure policy.

Filed Under: Weaving, Yarn Tagged With: kitchen towels, weaving yarn

What is the difference between knitting and weaving yarn?

by Kelly 2 Comments

One of the biggest challenges when starting out in weaving is determining which yarns are suitable for your project. There are is certainly a huge variety of yarn available to the modern weaver, but that can be part of the problem – how to choose?

Both knitting and weaving yarns can be used for weaving, in fact, I recommend that brand new weavers start out with knitting yarn because they are forgiving, affordable and readily available. Knowing the differences between yarns that are made specifically for knitting or for weaving will be a huge help to you when planning your next project.

*This post contains affiliate links. For further information, please see my disclosure policy.

Because choosing yarns is such an important (and sometimes puzzling aspect) of weaving, I have already made several resources on the topic, some of which you can find here:

Choosing and Using Yarns in Weaving…

3 Yarns Beginners should Avoid…

What do all the Numbers Mean?…

Now let’s have a look at what I consider to be some of the main aspects that differentiate a weaving from a knitting yarn.

  1. Appearance
  • Knitting yarns are often sold in a ball, yarn cake, hank or skein. These can all vary in size and total weight. They will often be wrapped with a label that details what the yarn is made of, country of origin, knitting and crochet information (like needle or hook size), the total weight and the washing or care instructions.

Some knitting yarns will be sold on a large cone, particularly yarn that is for flatbed knitting machines, as it’s important to the machine tension that the yarn feeds off freely.

  • Weaving yarns will usually be sold on a cone of some kind. These cones can vary in shape and weight according to the type and thickness of the yarn. Spools are more uncommon, but you will sometimes see weaving yarns sold that way too.

2. Yarn Thickness

In general, knitting yarns are thicker than weaving yarns. Knitting very fine yarn on needles is not for the faint hearted and most knitters will tend to go with thicker yarns for practical reasons (and for sanity!)

A weaving loom on the other hand, and in particular, multi shaft looms are really set up to accommodate much thinner yarns. On my floor loom, I never use a yarn that is greater in size than a fingering weight, as it would be difficult to thread through my texsolv heddles, which would be wearing on the yarn. I only have a 10 dent reed on this loom too, and that is fairly standard for a multi shaft. It’s the same with my table loom. So, there is the expectation that you won’t be weaving with very thick yarns.

The rigid heddle loom is more accommodating when it comes to thicker yarns, as the dent size varies from as high as 15dpi to 2.5dpi!

3. Amount of Stretch

Knitting yarns will generally have more elasticity and stretch whereas weaving yarns are often somewhat tough and rigid.

This makes sense when you think about it – a knitting yarn usually has a pretty easy life compared to a weaving yarn. A loom puts the yarn under tension and friction – it needs to be able to stand up to the process. Weaving yarns are also used to make a woven fabric for items like towels and clothing, that requires a tough and robust yarn.

That’s not to say that you can’t weave with an elastic yarn, you absolutely can, you will just need to factor in that stretch component to your calculations so that you’re not shocked to find your piece loses a lot of length once it’s no longer under tension.

4. Amount of Twist

A knitting yarn is most often used for wearables, and therefore needs to be very comfortable against the skin. Usually, it won’t have the same level of twist as a weaving yarn. Again, the weaving yarn is strong and hardworking, so the increase in twist gives it that extra durability.

If you have a knitting yarn that seems to have a very loose twist, it is likely that it won’t be suitable for warping with. A good test to use if you’re unsure is the drift test.

5. Strength of the Yarn

This relates very much to the last point. Knitting yarns don’t need to be under a lot of tension. You hand tension a little as you knit, and the rest remains in the ball, waiting to be gently fed off and used.

A weaving warp undergoes a lot of tension, so using a weak yarn for your warp is almost a guarantee of an unhappy weaving experience!

6. Yarn Availability

There are thousands of knitting yarns available all over the world. Whatever colour, type, size you desire, you will not be too hard pressed to find it!

Weaving yarns are a bit more limited. This is improving over time as more home weavers take up the craft and weaving is seeing a bit of a resurgence in popularity (yay!)

There are also a lot more knitting yarn suppliers than weaving yarn suppliers, but again, this is on the improve. In Australia, we are blessed to have Thread Collective for a big range of weaving supplies. If you would like to find suppliers in your area, check my Weaving Suppliers List.

Available from Thread Collective

7. Measurement Systems and Terminology

This is one of the most confusing aspects for new weavers who are trying to make yarn choices.

The measurement systems for knitting and weaving yarns are different, and these differences can further change from country to country! Super confusing!

I recommend my Weaver’s Toolkit Ebooklet for charts that will help you convert yarn terms to navigate the confusion. My short class What do the Numbers Mean? will also be helpful for those of you who want to understand why certain measurement systems are used and what they mean.

The easiest way to determine whether the yarn you have is suitable for the project you want to weave is to determine the sett using an inch ruler. I have two resources that will show you how to do that:

What is sett?

How to determine sett…

I’ve made a video to compliment this post where you can see me talking about specific yarns from my personal stash and showing you what they look like:

I hope this was a super helpful post for you!

Until next time…

Happy Weaving!

Filed Under: Weaving, Yarn Tagged With: knitting yarn, weaving yarn, yarn

3 Yarns Beginner Weavers should NEVER use!

by Kelly 61 Comments

Choosing the right yarn for the right project can be a huge conundrum for newer weavers. There are so many yarn choices for weaving that it can be very confusing to know where to start.

If you want to know more about the basics of choosing yarns when you’re just starting out, you will want to read this post which includes a couple of super helpful videos where I walk you through some of my stash and the ways I’ve used certain yarns in my weaving.

I usually recommend specific yarns for new weavers to try, based on my experience with which yarns are the most economical, easy going and likely to give consistent, more predictable results.

This post contains affiliate links

But today, I’m going to do the opposite. I’m going to talk about the yarns that a new weaver should not use, and even go so far as to say that a newer weaver should NEVER use these yarns to begin with!

Pretty extreme, huh? Trust me, you will thank me for it!

So, how do I know about these three particular yarns that should be locked up and kept in a closet marked with NO GO – NEW WEAVERS NOT PERMITTED?

Because I hear about it all the time! The anguish of a new weaver who unwittingly picked a yarn that “looked pretty” and now is in a terrible anguish, caught in the balance between the idea of cutting the project off the loom prematurely or giving up on weaving altogether because it “doesn’t seem like my thing“.

Friends, it does not have to come to that and I am here to tell you how!

There are three yarns that you should avoid at all cost. Not forever, just to begin with. Later, you will have the experience, know how and possibly patience to deal with these yarns, but to begin with you want to keep it as simple and achievable as possible.

Think of your beginning weeks, months, or however long it takes (remember we all learn at a different pace and that is absolutely fine and normal. If you have any qualms on this note, please take the time to watch the video on Slow Learning down below).

The first few projects at least should be devoted to getting to know your loom. It’s like a honeymoon period, hopefully a happy one! But, if you think of your beginning stages in this way, as the learning phase, it won’t matter so much if you don’t always get amazing results as you will be learning what you need to know.

You’re probably itching to know what these three avoidable yarns are. I won’t keep you in suspense any longer.

  1. Mohair.

I’ve put this one at the top of the list for a reason. Don’t use it if you’re a beginner. I can’t be much more blatant than that. Just don’t do it. You will be sorry.

Meet Anna. Why do I have a random doll included in this post? I’ll explain. I made this doll for youngest daughter’s first birthday present, almost 10 years ago. She has stood the test of time pretty well, but is in need of a wig refurbishment. At the time, I was a dollmaker and sold my dolls on Etsy. I made the dolls from all natural materials, so their skin was a lovely soft cotton, they were stuffed with clean, carded wool and I would often use mohair to make wigs or hair. By the way, if you’re interested in a 10 year old tutorial on making a doll similar to this one, I have a two part tutorial here.

The point is, I used to have a huge stock of mohair but have used it all up in dollmaking. So instead of showing you a ball of mohair, I’m going to show you the back of the doll’s head to help illustrate why you should not use mohair as a beginner weaver.

Check out that fluff. Yes, mohair is uber fluffy! See that halo? (This is going to become a recurring theme!) Mohair sticks to itself. Very much. You carefully warp your loom and begin weaving, only to find that you don’t seem to be a able to get a clear shed. Sound familiar? Every. Single. Time. You change sheds, the warp threads stick to each other and you wonder how on earth you are supposed to get your stick shuttle through an either non existent or at the least, very messy shed. It doesn’t make for a fun weaving experience.

2. Fine, rigid threads.

By this I mean a weaving thread like an 8/2 cotton. These types of yarns will usually be sold on a cone rather than in a ball or skein.

Why do I think they’re a bad idea for beginner weavers? Firstly, they will have little to no elasticity. This is a problem for newbies (ahem, and veterans!) because they are difficult to warp with the correct and consistent tension. Which can be really frustrating. Especially on a rigid heddle loom where you can’t achieve as firm a tension as you can on a floor loom. When you’re not familiar with these types of yarn or don’t have much general weaving experience, you don’t want a yarn that won’t stretch a little. Yarns with elasticity (like, say a dk or light worsted wool) are so much easier to warp and work with. They will stretch out and contract back nicely on the loom and for that reason I call them very “forgiving” yarns. They help rather than hinder your warping and weaving process. They will be your newbie friends. The inelastic, thinner yarns can be your friends later.

The second point about these yarns is that they are thin. Which means they take longer to warp. Then they take longer to weave. When you’re just starting out you really want to choose shorter, approachable projects that don’t feel like a year long commitment to finish one item. Thicker yarns will be a huge help in this respect. They weave up quickly and with less problems.

3. Luxury Yarns

There are plenty of yarns that come under this category so I will point out a few specifics.

Baby alpaca is a gorgeous, sumptuous yarn. No, it doesn’t come from actual baby alpacas, it is classed and graded as a very fine fibre, and is extremely soft, hence the name. It also has a halo. It’s not fluffy in the same way that mohair is, and it’s not as difficult to weave with. But yes, it will still be a pesky, sticky yarn to weave.

The exact same rule applies here to Angora, possum and some cashmere fibres. Once again, save their scrumptiousness for a little later on.

Ah, silk, beautiful, shiny, luscious silk. I love weaving with it. Now. I didn’t attempt weaving with it until I had a lot of experience under my belt. I mean, have you seen how expensive silk yarn is? 😲 I knew I didn’t want to make that investment unless it was for something really special that I was ready for. Also, the fineness of the 60/2 silk above (similar to sewing thread in thickness) makes it doubly unsuitable for newbies.

Luxury yarns are just that – a luxury. Which means they will have a price tag to match. I’ve heard some newbie weavers say that they couldn’t resist a luxury yarn for their first project. I understand that your first project is a special one, but you need to be a realist about it too. Weaving is a learning curve. Skills like weaving neat edges and achieving good tension take time and are not likely to be perfected in your first project. You are really feeling your way with your first project. If you add the stress of having to make something nice with your very expensive luxury yarn on to the experience of learning to actually use your new loom, it will often be a recipe for disaster.

Let me put it this way: I’ve never heard a new weaver regret that they used inexpensive yarn for their first project. But I’ve had many, many, many messages from people in distress that things are not going according to plan and they spent so much money on the yarn. Save yourself the stress and start out with an inexpensive, light worsted/dk/Aussie 8ply wool.

Now, if I could only find a way to get this message to every new weaver in the world, I think there might be a lot more happy weavers out there.

This post is also available in video format-

So, time to fess up. Have you had a less than positive beginner experiences with one of these three yarns? Let me (and everybody else, just in case someone needs more convincing!) know about it in the comments.

Until next time…

Happy Weaving!

Filed Under: Rigid heddle weaving, Tutorials, Weaving, Yarn Tagged With: beginner weaver, newbie, no go zone, three yarns, weaving yarn, yarn

Which weight of yarn do I choose?

by Kelly 11 Comments

For newer weavers, yarn choice has to be one of the biggest conundrums. We are totally spoilt for choice when it comes to variety of yarns available these days, but there are some important aspects to consider before you start shopping.

I often recommend that newer weavers start out by using knitting yarns. There are a couple of reasons for this.

  • Knitting yarn is readily available.
  • It is usually economical.
  • Many new weavers have a knitting background and therefore will often have a healthy stash of yarn!
  • Knitting yarn often has a nice amount of elasticity and are therefore quite forgiving to work with.
  • And finally, it’s usually thicker than weaving yarn, so for first projects it is an excellent choice – it will make your warping and weaving faster and easier.

*This post contains affiliate links. For more information, please see my disclosure policy.

When you purchase a weaving specific yarn online or in a shop, the recommended sett for that yarn will often be provided. Not so with knitting yarns, which tend to come with knitting needle or crochet hook recommendations instead. But, this is no problem to the savvy weaver who knows how to figure out the sett for her/himself! All you need is your chosen yarn and an inch ruler.

If you’re not familiar with the concept of sett in weaving, I explain it in this video:

And if you need an easy demonstration of how to figure out the sett for your chosen yarn, I recommend this video:

The demonstration in this video refers to balanced plain weave, the twill equation is a little different.

The next consideration after you have figured out the ideal sett is what you’re actually weaving. A scarf, for example may require a different approach to a table runner or placemat, even if you’re using the same yarn.

Let me give an example:

Say I have a light worsted weight (Australian 8 ply, DK) cotton that is lovely and soft. Say that I’ve done my wrap test to determine the sett and it showed me that my 7.5 heddle/reed is the best option. I go ahead with this sett because I want a soft and slightly flow-ey scarf.

I like the yarn so much that I decide to also use it for a table runner. But I want my table runner to have a firmer feel, so that it stays put on the table and is somewhat solid. Given my experience with weaving the scarf at a sett of 7.5, I decide that I’m going to use my 10 dent heddle/reed for the runner, as it will ensure that my warp and weft interlacement is closer than it was with the scarf, giving me a firmer fabric.

Here is a little tip when selecting a yarn for a woven piece you intend to wear eg. a scarf. Hold the yarn to your cheek and lightly rub back and forth. If the yarn feels scratchy or unpleasant to your skin, it will not be suitable to wear. If the shopkeeper and patrons are knitters, crocheters or weavers, they will understand what you’re doing. If not, you may get some odd stares!!

There is another, basic test you can perform if you’re unsure of yarn to heddle/reed suitability.

That is to grab your yarn and thread a single of it through a slot. If the yarn doesn’t fit through the slot, it is too thick. If it doesn’t fit, but you have to encourage it to get through, it is likely too thick. If you rub the yarn up and down in the heddle/reed and it seems a bit squashed, it is likely too thick.

Remember that your yarn has to deal with that friction for the entirety of your project, so if there is too much friction you increase the likelihood of broken warp threads and a less than comfortable weaving experience.

Likewise, if you thread your yarn through a slot and there is a heap of space leftover and your yarn seems very loose in the slot, it may not be the right heddle/reed for your project. Unless of course you are trying to achieve an open and airy fabric!

So, what if you don’t have a heddle/reed that is the equivalent sett for your yarn?

This can happen when using a finer yarn. The finest heddle/reed currently available for a rigid heddle loom is a 15 dent. But the recommended sett for my yarn is 30. Well, you can simply double your ends to achieve the right sett.

Then you have the choice for the weft, if using the same weight of yarn as warp, whether you double the weft as well or not. And this choice comes back once again to the purpose of the project and the type of fabric desired. Which brings me to sampling.

I used to think that sampling was a big waste of time. I’m not sure at what point I became a sampling convert, but it was probably somewhere in the throws of another project that did not turn out as anticipated.

Sampling is an absolutely failsafe method to guarantee the success of your project. It allows you to try the yarn at a particular sett, in particular colours, experiment with weft density, take the project off and wet finish. So, you get a mini glimpse of what your actual project will look like. It’s a very valuable education tool!

There is a lot to cover when it comes to the topic of yarns and this post really only scratches the surface.

If you found this post interesting and want to delve further into choosing yarns and understanding all the numbers, I have an online class that could be just the ticket. This is a short and sweet class that includes PDF charts for selecting the correct heddle/reed for your project and converting yarn terms for different countries.

You can purchase the class by following this link.

I have some other yarn related resources that will be helpful too.

The Weaver’s Toolkit is an ebooklet that includes all kinds of useful charts and information that are invaluable to the weaver.

I also have an “All about Yarn” playlist on Youtube, which includes 11 free videos:

I hope this post has been helpful to you, and as always, comments and questions are welcome.

Until next time…

Happy Weaving!

Filed Under: Rigid heddle weaving, Tutorials, Weaving Tagged With: choosing yarn, rigid heddle weaving, weaving yarn

Overshot uh-oh!

by Kelly 1 Comment

I tried overshot on 4 shafts for the first time. I put on a massive 8/2 cotton warp (my first mistake – too wide, too long!) thinking I would have a couple of table runners or plenty of baby blankets by the time I was done.
The threading was somewhat complicated, but I got through that and started weaving.
I don’t know, maybe I just don’t enjoy weaving overshot or maybe it’s a bit of inexperience, but this project became a struggle.
Some threading errors became apparent and then the breaking warp threads started. My progress was slow, very slow!
The errors stick out like a sore thumb, but I still wanted to share these photos, firstly to share the disappointments and imperfections, but also in appreciation of the pattern, which is actually pretty cool. The above piece was woven with black bamboo for the pattern and white bamboo for the tabby.
The back of the same piece. 
This was my favourite piece, I used a hand dyed, variegated tencel for the pattern and a mercerised cotton for the tabby.
The back of the same piece.
And this piece I quite like also. I used a thicker hand dyed cotton (8ply) for the pattern and a white bamboo for the tabby.
 
So, what did I learn from this humbling experience? That I’m not as good as I thought I was? Definitely. That my slow progress on the floor loom is starting to frustrate me? Uh huh. That I want to do something about it? Yes!
I’m not giving up, I’ll keep trying and I think that, for now, that is the best I can do.

Filed Under: 4 shaft weaving, Floor Loom Weaving, Weaving Tagged With: 4 shaft weaving, floor loom weaving, weaving, weaving yarn

Weaving suppliers list

by Kelly 14 Comments

This is certainly not an entire list of all suppliers, but I hope it’s a start for new weavers.
 
Thank you to my Facebook group weaving friends for your assistance in putting this list together. Please comment with details of other suppliers, particularly for countries not listed here.


Australia:

Petlins Spinning and Weaving Supplies, NSW, Ashford dealer, huge range of supplies.

BB Yarns Supply, QLD, Weaving threads and online correspondence courses.

The Thread Collective –  (Affiliate link) Online supplier of threads and looms. Louet and Ashford dealer.

Crafty Frog, Canberra, ACT, Ashford dealer, looms, yarns, accessories, instore classes.

Glenora Weaving and Wool, NSW, yarns, accessories, magazines and books.

Knit, Spin, Weave, S.A, fibre arts supplies, looms, dyes, yarns, books.

Woolganics, NSW, Australian organic wool.

Aunt Jenny,   Fibre arts supplies, weaving supplies, looms, Ashford dealer

New Zealand:
Ashford Handicrafts, New Zealand, large range of looms, weaving accessories, yarns and supplies.

Fibreholics, wide range of interesting yarns, classes

Wheels and whorls, Ashford dealer, huge range of looms, yarns and supplies

D.E.A. Yarns, Luxury yarns

Canada:

Jane Stafford, Louet looms, spinning wheels, yarns, workshops

Penelope Fibre Arts, large range of looms, weaving supplies, yarns

Maurice Brassard, Quebec, huge range of weaving yarns


Camilla Valley Farm, Ontario, Leclerc looms, weaving yarns and supplies

USA:

My Amazon Shop 

The Woolery, Kentucky, huge range of everything weaving related! (Affiliate link)

WEBS, Massachusetts, Huge range also.

Revolution Fibers  Looms, weaving yarns, craft kits, wheels, fibre supplies
Yarn Barn, Kansas, lots of yarn options Looms, weaving yarns, craft kits, wheels, fibre supplies

Paradise Fibres, Washington, huge range of yarns, looms and fibre art supplies

Weaving South West, New Mexico, Gallery that also stocks some small looms and varieties of yarn

Weaving Works, Seattle, looms, yarns, classes

Bountiful Weaving, large and little looms, yarns

Studio Thre3, AZ, Leclerc looms, yarns

Fibre Creek, AZ, range of looms and yarns

Heartland Fibre, Iowa, yarn (beautiful looking retail shop!)

Halcyon Yarn,  looms, yarns, everything!

Lofty Fiber, weaving, knitting, spinning, yarn and classes

UK:
George Weil, looms, yarns, tapestry looms


The Handweavers Studio and Gallery, London, huge range of looms, equipment and yarns

Fibre Hut, Ashford dealer

The Threshing Barn, beautiful location in a converted spinning mill, looms, supplies and yarns

Wingham Woolwork, Wentworth, Ashford and Kromski stockist, looms, supplies, yarns
Colourmart, Online weaving yarn supplies

Hilltop Spinning and Weaving, Kent, Ashford looms, accessories, yarns

Frank Herring and Sons, Dorset, Ashford and Leclerc looms, yarns, supplies 

Weft Blown, Ashford dealer, large selection of looms, weaving supplies, yarns and fibre art supplies.

Wonky Weaver , Located in Wales. Wide range of looms including Glimakra, Schacht and Louet. Spinning, dyeing and fibre arts supplies.

Spain:

https://tejoloquehilo.es/es/ – Weaving supplies, Ashford dealer, fibres for dyeing and spinning. This site is only available in Spanish or Catalan but can easily be translated with Google Chrome.

https://www.textilesnaturales.com/ – Ashford supplier but also sell Louet table and floor looms. Their website is in English and Spanish.

France:

https://www.artifilum.com/ – Ashford supplier, they also sell Glimakra, Toika and Leclerc looms. Their website is in French and English.

The Netherlands:

Stephen and Penelope – Beautiful range of knitting yarns from lace weight to bulky, big range of fibre to choose from.

Wools of Nations – Excellent range of natural knitting yarns

Filed Under: Weaving Tagged With: looms, rigid heddle weaving, supplies, weaving, weaving yarn

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