weaving

Gift Guide for Weavers 2024

It’s that wonderful time of year again, which means it’s also time for a new gift guide for weavers!

Welcome to the Gift Guide for Weavers, 2024!

This year I’m ordering the guide from lowest to highest price so you can jump to where your budget is currently at. Gifts most definitely do not have to be expensive but for some of you it may be the right time to purchase that upgrade or tool you’ve been wanting.

I don’t think I can every begin a new gift guide without making this one the first item:

The Clover Jumbo Bent Tip Tapestry Needles are one of my favourite and most used tools in my weaving studio! They are perfect for hemstitching or embellishing a piece on the loom and weaving in ends off the loom.

I use them for hand sewing pieces of hand woven fabric together too. They are also super affordable, making them the perfect stocking stuffer.

2. That Purple Thang

I never knew these things existed until one of my students (hi Sandy!) very kindly sent me one. Yes, I had to read the label to find out what it was and now it’s an indispensable tool in my studio.

If you enjoy sewing your handwoven fabric with a sewing machine, you will love this low cost tool. It is a multi purpose tool but what I love to use it for most is to help run my fabric through the machine and press down seams as I go over them with the machine.

Sounds simple, but I used to use my finger for the job this tool is now doing for me! I’m happy to have my precious fingers much safer now.

3. Lavievert Toy Loom

I bought my first toy loom as an experiment. I was curious to know, firstly – would it work and secondly, what could I weave on one?

Well, after playing around with my toy loom for some time I have been very pleasantly surprised!

A toy loom like this is a great way to get into weaving for a small financial outlay. It is simple to learn how to use, it tensions a warp very well and pleasant to weave on.

It is a small loom, so it does have it’s limitations but it’s such a fun way to get started.

I have a number of resources available for this loom:

I bought a toy loom! Was it worth it?

I wove a blanket on a toy loom!

4. Weaving Books

I am a huge book lover and my weaving book library is quite extensive (but there is always room for more! 😉) Weaving books are really invaluable to weavers and make a wonderful gift too.

My favourite rigid heddle books can be found in this post. And my favourite multi shaft books can be found in this post. I have many weaving books listed in my Amazon store too.

5. Ashford Table Loom Shuttle Race

This product was just released recently and is very popular with the table loom weavers! The shuttle race prevents the shuttle from diving through the warp, which can be so frustrating! Available for new and older Ashford table looms in a variety of sizes, this will be a game changer for some table loom weavers!

6. Ashford XL Boat Shuttle

Another new and wonderful product from Ashford is this larger sized boat shuttle. I am absolutely loving using this with my larger countermarch loom and will definitely be utilising it with my Louet David loom as well.

7. Ashford Inkle Loom

An inkle loom is a great gift for so many reasons. It’s one of the most affordable and portable looms. It also allows the weaver to have a dedicated band loom without taking up space on another loom. You can be weaving a project on one loom while weaving a band to match on the inkle loom!

For an even cooler gift opportunity, Ashford has an inkle loom available as a kit that includes the loom, some cotton yarn and a wonderful inkle weaving book to get started with.

8. Ashford Rigid Heddle Loom

My very first rigid heddle loom was given to me as a gift from my husband! So of course, I’m a huge advocate for gifting RH looms 😊 This loom is still constantly in use in my studio.

There is a huge variety of sizes available to suit every budget and size requirements. I have a guide for new rigid heddle weavers here.

9. Louet David Floor Loom

It’s no secret that I love my David floor loom! It’s compact, modern and gives you a true floor loom weaving experience. I have a review of this loom here if you want to find out more.

10. Online Weaving School Gift Voucher

The weaving school is the perfect place to get started in your weaving journey. There is a huge variety of classes available as well as memberships. Classes include rigid heddle, inkle loom, table loom and floor loom, so there is something for everyone.

To purchase a class as a gift, you simply choose “send as a gift” at checkout plus fill in the name and email of the recipient – this is how it looks:

The recipient then receives an email with instructions for how to use the gift link.

Well, I hope all of you have a wonderfully happy Christmas and maybe even receive some new weaving goodies!

Until next time…

Happy Weaving!

*This post contains affiliate links. For more information, please see my disclosure policy.

Ask Kelly – How long should a scarf be?

by Kelly 4 Comments

Asking how long a woven scarf “should” be is kind of like asking how long is a piece of string! However, since I personally have woven a heck of a lot of scarves, I can share the lengths that I typically use.

Today’s Ask Kelly question relates to not just the length of scarf, but how long should the warp be to obtain the desired length?

“If I want to create a pattern using different colors of DK 8 ply Bendigo Wool, what should I put on the loom for the length of a scarf?”

Laura

Now, as for the length of scarf, that does depend quite a bit.

When I’m planning a scarf I usually ask myself, do I want to be a “drape around the neck and go” scarf or do I want it to be a “wrap around the neck at least once” scarf?

For a shorter scarf I would generally do about 60” weaving length, then allow for fringes. For a twisted fringe, I would generally add 6-7” on each end of the scarf. So that would be 60 + 14 = 74”. That is without adding on shrinkage and waste allowance.

For a longer scarf I would be thinking 70” weaving length plus fringes and allowances.

Here are some examples of various scarf lengths I’ve used:

The Ripple Scarf project

This one was a 68.5” weaving length + fringes.

The Candy Store Project
This one was a 60” weaving length. Yes, it is wrapped around but that is on a model that has a skinnier neck than mine. And it’s quite short in length when wrapped.

The Aquamarine Scarf
This scarf was around 70” weaving length with longer fringes, you can see it has that extra bit of length.

The scarf lengths I’ve outlined are fairly standard but if you are feeling adventurous and want to go all “Lenny Kravitz Blanket Scarf” you will definitely need some good pre planning to ensure you have enough length in your warp to achieve the length of scarf you want.

TOTAL WARP LENGTH

In the planning stages of your scarf it is best to use a calculations sheet so that you don’t miss any crucial numbers. It’s also an important focal point for your project – a launching pad or recipe, if you like.

Every project on your loom will have shrinkage, take up and other numbers that need to be accounted for.

I have a FREE project calculations sheet that also comes with an explanatory video. You can access that by registering for an account at the Online Weaving School (it doesn’t cost anything to register).

Check out the free calculations sheet and video here.

I hope this post was helpful to you!

Until next time…

Happy Weaving!

I bought a toy loom! Was it worth it?

by Kelly 5 Comments

Recently I purchased a Lavievert Toy Weaving Loom.

My motivation for doing so was twofold – firstly, I was curious and thought it might be a fun experience and secondly, I’m always on the lookout for ways of advising newer weavers on ways that they can get into weaving more economically.

*This post contains affiliate links. For further information, please see my disclosure policy.

Naturally, before I recommend any product I need to first use it and review it myself!

The only other toy or children’s loom I’ve used is a very cheap and basic frame loom, so this loom from Lavievert seemed quite a step up and more similar to a rigid heddle loom.

This loom is very small, compact and lightweight. The initial setup couldn’t really be easier – it comes pre-warped and simply unfolds and then is held in place by a couple of screws.

It also comes with 3 balls of acrylic yarn, 3 little stick shuttles (already loaded!) and a very basic instructions booklet. The booklet only really tells you how to unfold the loom, start weaving and advance your warp – there are no instructions for future warping, which could have been a useful addition to new weavers!

It is made of a lightweight wood, has 2 wooden heddles and wooden beater, and the warp is released and advanced by manually moving the back or front roller. A piece of wood, along with a cog hold the tension. These cogs slip very easily, so it can be difficult to achieve a decent tension, though this does seem to improve as you weave and advance the warp.

The heddles are similar to a rigid heddle, in that they have holes and slots. For the warp that came on the loom, they had it threaded through the holes on both heddles. The heddles are operated by rotating the top beam that both heddles are tied to, which causes the heddles to alternate in rising and lowering, providing two sheds to weave in and producing a plain weave fabric.

Upon measuring these heddles, I found that they are sized at 5 dents per inch – pretty wide apart for such a thin warp. So, when you weave, you get quite a weft faced fabric and it’s better to beat gently to avoid the fabric being too dense (unless of course, you really want a weft faced fabric).

The most frustrating aspect to using this loom was the tension. The warp that came on the loom was very loose in some sections. It seems that the loom is probably not strong enough to hold really good tension but I want to experiment with this further in the future by warping it myself.

The maximum weaving width is around 5.5″, so definitely only a small item loom – again, great for kids who might want to weave doll’s blankets or squares to sew together to make a larger item. Some adult weavers have also told me that they use this loom for sampling for larger projects.

While I found this a fun little loom to weave on, there is definitely a lot of room for improvement! My plan to move forward with it is to re-warp it with a thicker yarn, possibly thread the heddles differently and then to play around with pick up sticks to increase the shaft possibilities.

What I would recommend though, is that if you are serious about getting into weaving, save up the extra money to buy a quality loom. Something like the Ashford Sampleit is a really great place to start, and you won’t have to worry about not achieving good tension or possibly breaking parts.

If you would like to see me unpacking, setting up and weaving on this toy loom, watch this video:

Since writing this article I have used this toy loom more extensively. My experiments lead me to replace some parts of the loom, re-warp the loom and weave some pick up on it. To learn more about that, please see this video:

Until next time…

Happy Weaving!

49 Weaving Project Ideas

by Kelly 10 Comments

Feeling a little stuck for ideas for your next weaving project?

The options are almost unlimited, but here are 49 weaving project ideas to get you started!

Whether you’re weaving on a rigid heddle loom, a table loom or a floor loom you are sure to find these weaving project ideas super helpful.

Weaving a scarf is the perfect starting point for the new weaver.

It’s a narrow piece, which makes it easy to tension. It’s a long warp, but not so long as to be likely to cause any real issues. And once you’re done weaving and wet finishing, you have a completed woven piece, ready to wear.

That is so rewarding and empowering to the beginner weaver!

Once you’ve completed your first scarf, you may want to build on that success and hone the skills you learned by weaving another. Great! Another beautiful scarf to wear!

What is next? Another scarf? Well, I guess you could either add to your scarf collection or start giving them as gifts. Some weavers will continue weaving scarves until they have so many they’re not sure what to do with them. That could be a time to start selling for some extra income, if that is something you are interested in.

But not everyone wants to continue just weaving scarves for the rest of their weaving lives.

I often see weavers chatting and asking questions online, wondering if there is anything beyond the humble scarf.

Well, rest assured, there are SO many things you can make as a weaver!

Once you take up weaving, you become a maker of cloth. In quite a magical way, you are able to produce your own fabric.

You can either choose to weave an item that is basically finished when it comes off the loom, or you can use your hand woven cloth as a stepping stone or starting point for something else.

If you have, or can learn basic sewing skills, you are well on your way to creating unlimited projects with your handwoven fabric.

Here is a list of ideas to get you started:

Scarves (obviously! 😉)

Shawls

Bags (totes, handbags, shopping bags, carry bags)

Rugs

Wallhangings and tapestries

Blankets

Pillows/cushions

Purses/ pouches

Kitchen, bath and hand towels

Face washers

Apron

Book covers

Bookmarks

Kitchen cloths

Soft toys

Ponchos

Jackets

Tops

Read about my hand woven tunic project here

Skirts

Dresses

Pants

Coats

Framed art

Lampshade covers

Loom covers/bags

Upholstery fabric for unique furniture pieces

Historical re-enactment costuming

Hats

Jewelery

Wallhanging from the Krokbragd 101 Online Class

Baby wraps, carriers and blankets

Drink coasters or mug rugs

Curtains

Patchwork and quilting projects

Hair accessories/ head wraps

Saddle blankets for horses

Dog beds, coats

Potholders/trivets/oven gloves

Dining table ware – table runners, place mat sets

Bedding – throws, coverlets, pillow covers, blankets, quilts

Well, what do you think, have I convinced you that you can weave more than just scarves with your loom?

If you’re looking for some free projects to get you started, check out my Free Projects list and be sure to check out my Youtube channel for even more ideas and tutorials. My design store contains my original project designs as digital downloads as well as my ebooks.

At the Online Weaving School you will find many classes to choose from, and as most of my lessons are project based, you can often complete a finished woven item.

So, as you can see, the possibilities for woven projects is really unlimited! Please add your own ideas in the comments to share with other readers.

Until next time…

Happy Weaving!

How to fix snags in your weaving!

by Kelly Leave a Comment

That awful moment when your lovingly hand woven piece catches on something sharp and pulls, leaving an unsightly loop.

I’m sure we’ve all been there and collectively cringed when this has happened.

Thankfully, the fix is a quick and easy one, once you know how.

*This post contains affiliate links. For further information, please see my disclosure policy.

If you are interested in the fabric I’m working with here, it is a sample from my Plaid Double Width Ebooklet.

All you need is the snagged piece of cloth and a tapestry needle. My favourite tapestry needles are the Bent Tip Needles by Clover.

The first thing to do is to have a look at the loop so that you can determine which row of your weft has been affected. We want to work on this row to redistribute the slack that occurred when the weft was snagged. Have a look at the way the weft row is running. This will tell you the direction in which you need to work.

Here you can clearly see the loop and the way in which it runs through the cloth (horizontally, not vertically).

Using the tapestry needle, go to one of the weft stitches either side of the loop. It doesn’t matter which side at this point, as we’re going to be alternating.

Pull up gently on the weft stitch so that some of the slack goes out of the loop and into this stitch.

Now go to the opposite side of the main loop and repeat with the stitch next to it on this side. The aim here is not to pull up big loops, but just to begin to ease and decrease that main loop. The weft stitches you are working on will become looser as you do this – that is normal and expected.

Once you have redistributed some of the slack among the other stitches (I started by doing 3 stitches either side of the main loop) it is time to get a bit rough on the fabric.

Holding onto the fabric either side of the main loop, pull it outwards, away from the loop. It is very helpful to use a “snapping” action for this. The idea is to shock the fabric and re-tension it in order to settle the weft back into the pattern it belongs in.

After snapping the fabric several times, you may see that the weft loop is now laying flat. If this is the case, your work here is done! However, if any of your wefts are still raised (either the loop itself or the weft threads around the loop) then more attention is required.

Simply go back in with your tapestry needle and gently repeat the process, including the fabric snapping afterwards.

By this time your wefts should all be happily settled back into place and laying flat. Ideally, it is now hard to see that there ever was a weft loop. I am pointing to my original loop in the photo above.

If you want to see this whole process in the form of a video, please enjoy watching this one:

I hope this tutorial was really helpful to you! Thank you for visiting me today and until next time…

Happy Weaving!

Do I need to pack the front beam?

by Kelly 17 Comments

When warping our rigid heddle looms, we are careful to pack the back beam as we wind on the warp. This may be done with a variety of materials, and some are more effective than others. It can be a personal preference too!

What a lot of weavers don’t seem to be so familiar with is the idea of packing the front beam. Quite often, when I’m troubleshooting with a student and I ask if they’ve packed the front beam, they seem surprised by the question. Packing the front beam? I’ve never heard of that!

*This post may contain affiliate links. For more information, please see my disclosure policy.

So, why would you want or need to pack the front beam? And what exactly do I mean by that?

Let’s start with the definition so we’re all on the same page!

Packing the front beam is simply introducing something extra to separate the warp as you weave and it begins to roll around the front beam.

Now we can look at the why. There are a couple of reasons as to why packing the front beam is a really good idea.

When you have finished warping and threading, you then need to tie or lash on your warp onto the front apron rod. Doing this results in knots or bumps on the apron rod.

As you begin to weave and advance your warp, you will reach the point where your warp is rolling around the front roller beam and onto itself. As this advancing of the warp happens, the knots, plus the apron rod ties can begin to have a detrimental effect on your weaving.

Firstly, you will likely begin to see some lumpiness at the bottom of your weaving (note that the white line of weaving that was previously straight is now a bit wavy!)

This is caused by the knots or apron ties pushing against your weaving from the underside. There are two problems with this happening:

The raised and lowered parts cause a change in the warp tension. The bumps tighten the tension and the dents lower the tension, so you end up with slightly uneven tension.

The worse case scenario is that your weaving is irreparably damaged because the knots or ties push the weaving apart. This can be more likely to happen when using a slippery thread like tencel, silk or bamboo, where your woven threads can move more easily, rather than something like wool, which is more “grabby” and unlikely to move out of place.

Fortunately there is a really simple solution to the problem, and that is to pack the front beam, or insert something that will separate those layers of fabric and act as a barrier between your weaving and the knots and ties.

Weavers use a variety of materials for packing, and it can really be a personal preference or what you find most effective. Initially I used the cardboard separators that came with the loom, and while they do work well, I find that the brown craft paper on a roll that I now use to be the superior choice.

What I love about the paper on a roll is that it’s thick and sturdy (a thinner paper will not work in the same way as it tends to crumple while you’re trying to advance your warp), you can purchase it to the width of your loom (or if the same width is unavailable, it’s easy to cut pieces to size) and you can use it over and over, so it’s very economical.

The roll that I bought years ago is still going strong and there is still a huge amount left.

An additional benefit of packing your front beam as you advance the warp is that your overall tension will vastly improve, and will continue to do so as you continue to weave.

I pack the front beam, whether I’m weaving on my rigid heddle, table or floor loom, it is beneficial for many types of weaving.

If you would like to see how I insert the paper roll at the front beam of my rigid heddle loom, please watch this video-

Until next time…

Happy Weaving!

Why weaving is more important than ever!

by Kelly 2 Comments

I made a video on this topic during the height of the 2020/21 pandemic, and although it was very relevant to the time period and experience we were all undergoing, it is still very relevant today.

I was inspired to talk about this by watercolour artist, Angela Fehr – a fellow Teachable creator. Although I spend very little time doing watercolour painting these days (thanks to weaving kind of taking over my life!) I am still very inspired by her emails and encouragement.

When certain world events come to the forefront (and we have certainly seen a variety of world events in the past 2 years!) it would be easy to say that something like weaving – a hobby for many of us, a career for some, is not all that important in the grand scheme of things.

I have to disagree by saying that it’s more important than ever. I’m going to talk about the reasons why.

Weaving is a skill

In difficult times, I think it’s those of us who are skilled with our hands and knowledgeable about our craft who will find it easier to be useful. Currently, those of us who sell our woven pieces do so at a luxury level. Our items are priced high, they are unique and special. But, in a time of shortages, recession, or actual depression, the ability to make cloth from yarn could become a valuable and tradable commodity.

In the event of a depression, where no one really has any money, trading or bartering handwoven items could really help your situation.

I’m not saying that I think we’re headed for global financial collapse, but I’m realistic to know that things can change very quickly, and it’s interesting to at least consider ideas for preparedness.

2. Weaving is beautiful

The first thing that attracted me to weaving was the possibility of creating such beautiful items with my hands and some tools. To use beautiful, natural and often locally produced yarns to make unique pieces. To me, weaving is like a beautiful piece of art, it adds something to the world that wasn’t there before, and that has an impact.

In a world that is, on many fronts, increasingly ugly and hostile (been on Facebook lately?) I feel wonderful about quietly sitting at my looms, lovingly preparing warps and projects, and then sharing them with the world.

We can help to bring happiness to others through gifting, selling or otherwise sharing our work and we have the additional joy of being able to help others look through a window into the weaving world. Some of those will be so enamoured by what they see that they too will want to be a part of it. What a privilege to be in a position to share such a gift!

For many of us, the lockdowns allowed us to get to work, weaving beautiful things for others. I wonder if you’ve seen my free projects I put out during that time, in hopes that weavers would bless others by weaving for them?

Wash Your Hands Towels Free Project

The Heart Scarf Free Project

3. The world can be crazy

Am I right?! Things have been noisy and unstable for some time, and there always seems to be something new happening. Amidst all this, many are searching for more peace, less stress. How can weaving help bring peace to our lives?

Purpose

I have been in touch with a great deal of new weavers in the past couple of years. Many of them had been wanting to explore weaving for years (some for most of their lives!) but never had the opportunity. Weaving requires focus, patience, often research for a new project or technique. It can take us away from what is happening externally, at least to some degree, and shift from things we can’t control to something we can. It makes us feel like we are doing something positive and useful.

The research, planning, calculations and sourcing of materials that occurs with every new project is very directed and purposeful. All of these processes can be so calming in turbulent times, and that brings me to my next point.

4. Weaving contributes to our own wellbeing

Weaving is an avenue to express our creativity. I firmly believe that everyone is, and in some respects, needs to be creative. This makes complete sense to me, as we are created in God’s image and likeness (Genesis 1:26-27), and God is VERY creative!

It also contributes to our wellbeing through a sense of accomplishment. How rewarding, and amazing it is to take yarn and turn it into something wonderful. It can take a lot of practice, learning and hard work to accomplish weaving goals, but every time we complete a project successfully, we prove to ourselves that we are capable.

Weaving can be very relaxing. The methodical and repetitive actions allow us to get into a “zone” and just enjoy what we’re doing.

5. You are in control

I touched on this a little back at point 3, but now I will expand further. How many things that happen in our lives do we have control over? We can’t prevent war, certain sicknesses, hard times, beyond hoping and praying. But in weaving, we get to make decisions, plan colours and patterns, and predict the outcome.

The project is yours, and that can be quite empowering!

6. Inspiring others

Inspiration is contagious, and although we might not always feel positive and happy, when we share our passions and interests with others, we ignite something that can take off and have a huge impact. When you inspire another person or people, that will often come back to you in waves.

You never really know the impact you could have on a fellow human by inspiring them. It’s not just about inspiring to take up weaving, it’s so much more than that. For someone who has lost hope and feels like giving up on life, to see somebody else living life with joy and passion and being more than willing to pass that on to others, could make all the difference and shift their focus completely.

One of the reasons I think suicide is so tragic is that I can’t help but wonder whether one more day, or a chance encounter, or a new interest could have changed that person’s mind. I’m not trying to oversimplify the tragedy of suicide, I’m well aware of the very complex factors involved – but I know for certain, that one more day can make all the difference.

7. Connection

Even the most introverted of us (👋) can benefit from connection with others. The easiest way to do this is by sharing a common interest. It can be so much fun to share your projects, have discussions and just chat to other like minded folks and be part of a community.

Thanks to the internet, we can connect to others without having to leave home if we don’t want to, or if it’s not possible. Facebook groups are a great way to interact, or if you want more involvement you may want to join private communities. When you purchase a membership to my Online Weaving School, you also gain access to the private member’s group, which is not just a great learning tool, but also a fantastic support network.

If you would like to watch the original video, here it is:

Until next time…

Happy Weaving!

What are finger controlled techniques?

by Kelly 6 Comments

Just when you thought you had tried everything in weaving, you discover there is more! Finger controlled techniques can add a whole other dimension to the way you’ve been weaving and offers new and exciting possibilities.

So, what are finger controlled techniques?

Also know as “finger manipulation weaving”, finger controlled techniques is a kind of umbrella term for a group of weaving techniques. It basically means that, rather than using just the shafts on your loom to control the threads and achieve patterning, you are also bringing your hands directly onto the warp to perform manipulations.

*This post contains affiliate links. For further information, please see my disclosure policy here.

Often the finger manipulations will involve using a tool of some sort to aid you in holding the pattern created. Some examples of tools used are pick up sticks, knitting needles, threading hooks and crochet hooks.

Why use finger controlled techniques?

There are many good reasons to introduce finger controlled techniques into your weaving.

It increases your pattern possibilities.
You can achieve patterns that may not typically be associated with traditional weaving.
You can weave a drastically different pattern to what you normally might.
It is an exciting, interesting and sometimes meditative way to weave.
It can be used in small sections or borders to accentuate a plain or other weave structure.
It can be incorporated seamlessly into any loom set up.
You don’t need extra shafts or a bunch of extra equipment to give it a try.
You can set up your loom for plain weave and introduce the finger techniques on the same warp.
The techniques are good for an adventurous beginner. Make sure you have a plain weave project or two under your belt first though.
There are many different types of techniques to try, all with different effect. And each one has variations!

Which kind of looms work for using these techniques?

That is the beauty of it! Most finger controlled techniques are worked at the front of the loom, on the warp directly in front of you. This means it’s suitable for rigid heddle looms, table looms and floor looms.

Today I’m going to discuss the 3 most popular and well known finger controlled techniques in weaving:

Brook’s Bouquet
Leno
Danish Medallions

Brooks Bouquet was made popular by Marguerite Brooks when she wrote a book that included variations on this weave structure. You can see the “bouquet” component, where the yarn wraps around bunches of warp threads (the number of threads is adaptable) and pulls in tightly.

Reminiscent of lace knitting, the finished fabric also has some interesting qualities. Most of the time, woven fabric lacks “stretch” but using Brooks Bouquet produces a fabric with definite stretch. It is mildly open and airy, and yet has a beautiful and intricate pattern.

You don’t need any extra tools, just your stick shuttle (the same one you’re using for your weft) to pick up groups of threads in a repeat pattern and loop the yarn around the bunches as you go.

I love Brooks Bouquet in solid colours, using the same yarn for warp and weft, however I’ve seen some really beautiful pieces using variegated yarns too.

If you’re interested in trying it out but would like some step by step instructions, the Garden Path Scarf digital PDF download pattern is the perfect place to start. I have included lots of colour photos in this pattern as well as all the yarn and calculation details you need to complete a really beautiful scarf. I’ve woven two Garden Path scarves in merino yarn for myself and they are my go to for cold weather.

The next technique I want to share with you is Leno.

This also creates a light, airy fabric, but even more so than Brooks Bouquet. It is a very slow weave, as you twist threads using your fingers and a pick up stick and then hold the twists in place by beating in the weft thread.

Leno also has variations, for example, it can be woven on an open or closed shed. You can weave it in rows, with plain weave in between. You can weave Leno for the whole piece or just in border sections (it looks fantastic as bordering on a classic scarf or table runner).

If you like the look of this technique, I have good news for you! I have a complete tutorial on weaving Leno and it’s totally free. It is aimed towards rigid heddle weavers, but is completely adaptable to other looms as well. You can find that tutorial here.

That brings us to Danish Medallions.

This is a highly decorative technique. I love to showcase strongly contrasting yarns to really make those medallions pop out of the piece. It is a really interesting and fun technique to work on your loom.

The basic idea is to run a contrasting weft thread through bands of plain weave in another colour. The width of this band of plain weave will partly determine how large your medallions will be. You then bring in your contrast colour weft, threaded on a tapestry needle (at least, that is how I like to do it).

Using a crochet hook, or my preference, a double ended threading hook, you then hook this contrast yarn by taking the hook through the work at the previous contrast pick and pulling it though. This is where the tapestry needle comes in handy, as you can take it through the loop created.

Cinch up this loop and you have your first medallion. How tightly you cinch it will depend on the effect you want. A light cinch will give you medallions that seam to sit on the fabric with some minor gaps in between. A tight cinch will give you more separated looking medallions and will produce an airier fabric.

Both options look beautiful. You will notice in the sample above that I’ve also included beading between some medallions, just for fun. The Danish medallion technique lends itself beautifully to extra embellishments.

If you want to see this technique in action (because it’s so much easier to show it than to tell it) I have a very affordable online workshop that demonstrates both Danish Medallions and Leno, all in one place. Click here to check that out!

I hope that today’s post has helped you to find out more about finger controlled techniques and encouraged you to consider giving them a shot!

It can be fun to put on a short sampler warp, thread up for plain weave, and work your way through these techniques. You might find a really awesome way to combine the 3 to make a unique woven piece!

As always, I love to hear from you here and answer any questions you may have, so please let me know you visited by leaving your comment below.

Until next time…

Happy Weaving!

What is your excuse?

by Kelly 20 Comments

Many years ago, there was a beautiful little yarn and embroidery shop in an upmarket seaside suburb around 30 minutes drive from my home. Visiting was a treat, as the shop was in an historic stone building, had several rooms and was wonderful just to look at.

I couldn’t afford to spend much on yarn or supplies back then, but I once splurged on some beautiful cashmere yarn to knit a hat for my newborn, and I even once went to the extravagance of buying a pretty floral handkerchief for each of my girls, just because I wanted them to have something pretty.

*This post contains affiliate links. For further information, please see my disclosure policy.

One time, my husband drove past this shop with a new work colleague. She pointed at the shop and said “that’s for people with too much time on their hands”.

My husband was slightly bemused, knowing that I was a customer of the shop. He also knew that, at that moment, I was at home, caring for and homeschooling our 4 young children. On a good day, I was able to take 30 minutes to 1 hour to work on a craft project. Many days, I was either too busy or too exhausted to even consider doing something creative. I certainly didn’t fit the profile of someone with too much time on her hands!

Time is a funny thing. Our ideas and beliefs about time are funny too. Often when people say they “don’t have time” to do something, it is really just a bit of a cover up. An excuse.

An excuse to not have to exert effort in order to learn something new. Maybe they know they have to save some money to buy the necessary materials to start learning and that is something they don’t want to do. Maybe (and I think perhaps this is the most common reason people make excuses) is to hide the fact that they are afraid of failing.

Since I started my Online Weaving School almost 4 years ago, I’ve heard from thousands of weavers all over the world from all walks of life. Many are brand new to weaving, some have been weaving for some time, and others have not yet begun but have a desire to start.

I’ve heard frequently from people who say they have been wanting to learn to weave for 20, 30, 50 years! Overwhelmingly, new weavers have told me that they wish they had started earlier instead of waiting for “the right time”.

You see, the majority of people live their lives in a box of societal expectation.

Finish school. Go to college. Get married. Have a family. Somewhere in amongst all of that, buy a house. A couple of cars. Work. Raise your family. Keep working. Kids are grown up and left home? Now you have more time to work! Accumulate more stuff with the money you earn from working. Indulge in expensive holidays in an attempt to recuperate from working. Go back to work, after all, someone has to pay for the lifestyle I’ve just described. And then…. one day, finally, you get to retire! THEN you have the time to do all the things you have been really wanting to all these years. You’re likely in your early 70’s by this stage.

None of the above are bad things, they are good things. It is good to get married and raise a family (in fact, I think it’s one of the best things anyone can do!) It is good and necessary to work. Holidays are lovely. Having things you want is nice. But these things are not exclusive, and they don’t have to be compartmentalised.

I have not approached my life as a checklist of things to be done before I can invest in myself and my passions. I am raising children right now, still homeschooling, caregiving and providing. My role as a wife and mother are very important to me. And yet, it is also very important that I get time to be creative and work on things I love. Doing so makes me a better wife, mother and person. It’s part of who I am.

When I began weaving, we had small children and very little money. Yes, I too had my mental excuses as to why I couldn’t learn to weave. Not enough time. No spare money. I needed to wait for the right time. I might not be smart enough to do it.

But, with my husband’s help, I became convinced that it was a good thing to do, and we worked past the excuses to make it happen. To say that the decision to save for and purchase my first rigid heddle loom has been life changing would be putting it very mildly!

And it’s not just me, only yesterday a student told me that learning to weave has been “life affirming” for her.

If you have been wanting to learn to weave, but for “some reason” have not started, I encourage you to look at your situation realistically. Are your reasons actually excuses? Are they a cover up for something else?

I want to talk just a little more about time. We all have the same 24 hours in a day. We also have choices about how those hours are used. Do you work all day, get home and collapse in front of the tv? This might seem a little harsh to some, but I am sure that if you have time to watch tv, you have a lot more free time than you might think. Do you spend hours surfing the internet or on social media? Then, guess what? You have time to learn something new!

Overrun with little kids? Yep, I’ve been there and I would use their nap or sleep times in order to do something creative. If that didn’t work out, I would involve them in what I was doing in order to get that time for myself. Sometimes that would be having a child sort through my button or ribbon collection, which they thought was awesome fun. Sometimes it would be having a child sit on my lap while weaving to “help” me beat.

Last year, I wrote a post about planning and prioritising in your days so that you could make time to do the things you really wanted to. I included a printable daily planner that I hope some of you might use to make some plans and goals.

What I want you to get out of this post at the very least is that you don’t know what you don’t know. You need to take that first step of trying and then another step, and then another. The point is to make a start, because retirement could be a long time away!

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One more story that struck me when I read it in a magazine and has stayed with me for years. An older woman was sitting in a doctor’s waiting room. She was knitting while she waited.

A man who was also waiting and had been observing her, suddenly asked “Why do you waste your time doing that?”

The woman replied “When I leave here, I will have half a dish rag, what will you have?”

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What I want you to get out of this at the very most is that you are worth it. You’re worth the time, money and effort investment and I know that if you truly want to, you can do it!

If you would like to view this post in video format (and watch me weave), I invite you to watch here-

Until next time…

Happy Weaving!

Learn about Copyright

by Kelly 13 Comments

Copyright is a big issue in the online craft/creative world. It is often unclear to consumers what their responsibilities are.

The popularity of the internet has made it even more difficult for creators to protect their original work. Often, there is an assumption that because it’s on the internet, it can be used however you wish.

This is far from the truth, and you can find yourself in some pretty hot water if don’t do your research and infringe on copyright. I think a lot of people misuse original material unwittingly, they don’t intend any offence but rather just don’t understand the implications.

There are a lot of grey areas but today I’m going to take you through the basics of copyright – what it is, what your responsibilities are and good copyright etiquette.

What is copyright?

The dictionary definition of copyright is:

“The exclusive and assignable legal right, given to the originator for a fixed number of years, to print, publish, perform, film, or record literary, artistic, or musical material.”

Let’s break that down into layman’s terms to determine how it affects us as creatives.

Basically, as a creator of original artistic material, (in my case, online classes, original pattern designs, blog articles) I have the right to legally dictate how those materials are used.

At a consumer level, copyright is about you or me, as the consumer or purchaser of original products, must abide by the wishes of the creator as to how the products are used.

Let me give you a crystal clear example, using my own work:

When you purchase a pattern from my Etsy shop, you will see a © symbol on the front page. This is like a little declaration of mine, to say that this is my original work.

On the last page of my pattern, there may be terms of use included. This may look something like:

“You are permitted to sell your items made using this pattern, providing you credit Kelly Casanova as the designer. This pattern may not be copied or reproduced in any way”.

This kind of language helps me to legally protect my original design work from theft and misuse.

So, now let’s cover what your responsibilities as the consumer are, specifically in weaving:

In regards to weaving someone else’s design, you cannot take it for granted that you have permission from the designer to use the design however you wish.

All designers are different, and just because I allow the sale of items made by following one of my patterns, it won’t be the same for all designers, and that is the exclusive right of the designer to make those decisions.

Like my own designs, often designers will actually say within the pattern something like:

“Personal use only. You may not resell this pattern or design in any way”. That would be pretty clear that you cannot use that design to sell.

Or you may see something like- “Licensing available for limited number of items you may sell from this pattern. Please contact the designer for further information”.

This would indicate that yes, you may sell some items from the design you purchased, but to do so you must additionally purchase a licence from the designer and agree to their conditions.

If you’re in doubt, or if there is no real information included with the pattern, always contact the designer, never just assume that you can sell the piece or you may land yourself in hot water.

What about using an idea from a book?

It is fine to learn a technique from a book or a class and then use that it one of your own projects to sell. It is not OK to copy a project from a book and sell the item as your own. The rights for the project belong to the book author. Again, you can try contacting the author if you need clarification.

An example of using a technique would be that you watch my Youtube video on clasped weft. It is not a project video, just the technique. You then decide that you are going to make a clasped weft scarf to sell. You choose the yarns, colours etc and make it how you want to. You then don’t need to credit anyone except yourself as the maker because you have used a technique that you’ve learned.

In weaving, we learn techniques, use very old weaving drafts and ideas and then we go and put our own spin on it. There are many techniques that I use that I figured out for myself – does that mean they have not already been done? Not likely!

You can’t copyright or trademark a weaving technique unless you can prove you came up with it yourself and it hasn’t been done before. That would be very rare these days.

But projects, finished items are another thing – you can’t just go out and copy designer’s projects to sell unless you meet all the conditions already mentioned.

Bear in mind also, that if you receive permission for one project, that is not a blanket statement – you also need permission for any other designs from that designer.

One thing that I expressly want to point out because it is so important, is that when you purchase from a designer or creator, you are supporting them financially. You are paying for a product, and that provides income and possibly wages for more than one person.

To copy somebody else’s original work and sell it as your own is stealing. To reproduce a pattern and use it for your own gain without permission is stealing. To “find” a design on the internet and use it for your own financial gain, without permission, is stealing.

I think you catch my drift. If you do not follow copyright requirements, you are taking income from someone who has put in the hard work and time to produce it. You are taking income from that designer’s family.

Not only that, if you infringe on a designer’s rights, they are entitled to instigate legal action against you. And no one wants that!

I could talk about this all day, it’s such a broad issue and to some questions there are not clear answers. That is where it is so important to refer to the individual to be sure.

My best advice is to be cautious, respectful and do your research. If you have anything to add to the conversation, I would love to hear from you in the comments below.

Until next time…

Happy Weaving!

Kelly