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My Favourite Books for Multi Shaft Weaving

by Kelly 9 Comments

I love books, so it makes sense that I am a huge lover of good weaving books. It can be hard to know which books are worth buying, especially if you’re buying online and can’t view the book before purchase.


I have already made a video on my favourite rigid heddle weaving books, but haven’t talked about my floor loom or multi shaft books.


This is certainly not an exhaustive list, and I definitely plan on increasing my collection over the years, but these are a few that I have found particularly good.

*This post contains affiliate links


I will start with my absolute favourite. If, in some terrible circumstance, I had to choose just one of the following books to keep, this one would be it!

The Handweaver’s Pattern Directory by Anne Dixon only covers 4 shaft weaves, and yet, with the number of pattern drafts you could feasibly use this book for years before even considering buying an 8 shaft book. There is nothing I do not love about this book! Yes, it is a little expensive, but I consider  it my “go to” for any 4 shaft weaving. It’s a hardcover book with spiral binding. This is awesome because you can lay the book flat to follow a threading or treadling pattern, and the hard cover prevents any damage to the pages. I’ve had mine for many years and it still looks as good as new. The layout shows you exactly what you can expect from each draft by providing colour pictures and yarns used to achieve each one – great for those just starting out.

Once again, not a cheap book, but this one is an absolute classic!  Carol Strickler’s A Weaver’s Book of 8 Shaft Patterns has plenty of information on 8 shaft weaves, explanations of tie ups and treadlings, and black and white pictoral representations of each weave (there are almost 900 photos). Individual yarn suggestions are not given, but in each new chapter, suggestions are made for particular weave structures. Many of the drafts have historical information – where the draft came from (if known) or where it is adapted from, which provides the keen weaver the opportunity for further research if desired. 
Next Steps in Weaving by Patty Graver has been a great one to add to my library. Published in 2015, it has a more modern and fresh feel. The layout is uncluttered but still contains a lot of information. I admit that I read this book when it first came out and I was in the infancy of my multi shaft journey. I felt like some of it was a bit beyond me at the time. However, when I cam back to it later (after a lot of research and practice) I found that the language now made sense and it was in fact a very helpful book! 
The beginning of the book goes over understanding terminology and drafts (something that many new weavers struggle with!) She explains twills and twill orders and then launches straight into the projects. This is my style of learning and teaching – project based! To get stuck in and actually learn something as you do it, rather than be stuck at the starting line with a lot of theory and fear of how to put it into practice. Patty starts with some basic twill projects, then shows more advanced versions to expose the reader to what is possible with variations and colour. The threading charts for the projects are all colour coded, which I think is a really great visual learning cue for newer weavers, and even for more seasoned weavers who just want to follow a threading chart in a simple format.
There is a lot more I could say about this book, but then this post may turn into a book itself! So, I’ll finish up with this. It’s a great book, the projects and samples are beautiful and inspiring, and even if, like me, you find it a little overwhelming to begin with, it is a book you can keep going back to over and over.
A Handweaver’s Pattern Book by Marguerite P Davison is another well know weaver’s classic. It was first published in 1944 as a green book, the orange one being a more recent and publication. Thanks to the generosity of a student, I now own the green book as well. This book has 200 pattern drafts and has 4, 6 and 8 shaft weaves. The layout is a little more old fashioned (though there are black and white photo representations of most drafts) and some may find it difficult to decipher the way in which the drafts are drawn. That should not put off the adventurous weaver though, as it is very beneficial to be able to read all styles of drafts so that you can decipher them, no matter what country or time period they are from. 
This is one of those books that you read and just think, “that is a lovely little book”. Simple, lovely big photos, nice colour. Tom Knisely’s Handwoven Baby Blankets starts out with a useful section on the basics of baby blanket weaving, such as sizes, colours and materials. 
There are over 30 projects and it includes both 4 and 8 shaft. Every project has specific yarn and colour descriptions. If you’re interested in weaving baby blankets, I highly recommend this delightful book!
Probably my most asked question from multi shaft weavers is “how do I read a draft?” The next step on from understanding how to read and use a weaving draft is to begin drafting them yourself. This is something that is of huge interest to me, but something I have not devoted enough time to as yet and still have much to learn. If you are interested in drafting for yourself, Madelyn van der Hoogt’s The Complete Book of Drafting for Handweavers is going to help a lot! While I confess that I have not made my way through the entirety of the book yet (it is in a workbook style with drafting exercises for you to follow), I intend to do so as it contains such valuable information. This book is available from The Woolery.
If you’re as interested in coverlets as I am, these are my most loved coverlet books I own:
Carol Strickler’s American Woven Coverlets
Keep me Warm one Night, Burham and Burnham 
(This one is also in my possession thanks to the generosity of a student and it is now one of my most treasured books!)
A Book of Patterns for Hand-Weaving, Mary Meigs Atwater
Weaving a Traditional Coverlet, Helen Jarvis
My last recommendation is for those who are keen to branch out into double weave on your floor loom or table loom.
Doubleweave by Jennifer Moore. Whether you are wanting to explore weaving double cloth or double (even triple) width, this popular book will be a very valuable addition to your collection.
I do have more weaving books in my collection, but these books I’ve listed and described are the ones that I am most happy to recommend and really feel that they would benefit your weaving library too.
I hope you have found this post helpful, please let me know if you have any questions. Do you own any of these books? Which is your most used?
Until next time…
Happy Weaving!
 
 
 
 
 

 

Filed Under: 4 shaft weaving, 8 shaft weaving, Books, Floor Loom Weaving, Weaving Tagged With: books, recommended books, weaving, weaving books

5 Steps to Successful Weaving!

by Kelly 13 Comments

It is my belief that anyone can be successful in weaving if they really want to. It is important to break the learning process down into achievable steps. Remember that you can’t begin at someone else’s finish!
Here are my 5 steps to successful weaving!

This post contains an affiliate link. I only recommend products I use and love.


1. Basics first.
Start out simple. Acknowledge that, as a beginner, leaping into a difficult project straight away is probably not the best way for you to get started. If you do, you may end up feeling discouraged and that you’re “no good at weaving”. When learning something new, it is rare for anyone to jump into an advanced level, you need to take the baby steps, then walk, then run!







2. Patience.
You see the images from weavers on Pinterest and Instagram. They look so fabulous that they inspire you to try weaving for yourself. That is natural, that is how I started. But to get to the point of being able to weave anything like the beautiful images, it may take quite some time, and it may not be easy. Mistakes are an important part of the learning process. Know that you will improve, if you practice and give it time.





3. Persistence.
Would you believe me if I told you that I have almost given up on weaving a number of times? There were times that I was so frustrated and had no one to help, that I thought surely I must be just too stupid to learn this, or that I felt I was wasting my time. I’m so glad I never did give in though! Imagine where I would be now – a beginner level weaver with too much equipment gathering dust, and a feeling that I had failed. Keep going. Get stuck? Go back to the basics. Find help. Buy that new book you need, some online classes, or find people in your area with similar interests. There is a way. You can do it!





4. Resources.
I could say that I am a self taught weaver, but realistically that is not really true. I have learned this craft through reading many books, studying articles, drafts and discussions online, and by taking online classes. When I got my first loom, I had no idea where to start. I didn’t know any weavers. I was too busy caring for my family to be able to attend a guild. So, I found the right resources that helped me get going. As I improved, I found more resources to help me level up. Resources are out there – lots of them, you just need to find the right ones for you. 





5. Community.
Funny for an introvert like myself to have “community” as one of the keys to success. I’m the type who avoids social settings wherever possible and hates the idea of group meetings or activities. Like many other typical introverts, social occasions are physically draining and just mostly not enjoyable. However, that doesn’t mean that I hide in a hole and don’t see or speak to anyone! 
I never would have realised the importance of community until I started weaving. My community is online and I am so grateful for it. I have daily contact with hundreds, if not thousands of weavers across the globe and of all different levels of ability. We teach and learn through one another, share information and discoveries, and most importantly, we inspire one another. It’s a beautiful thing to have the support of others who are just as passionate about weaving as you are. 
So, whether you love real life interaction or virtual interaction, find the people who are going to help you succeed in weaving!




I hope this article was helpful to you! Perhaps you are looking for some new resources? Here are a few to get you started:


My Youtube Channel


My Online Weaving School


My Weaving Lessons Facebook Group



Filed Under: Inspiration, Weaving Tagged With: learn to weave, weaving, weaving success

What is Clasped Weft? A step by step tutorial.

by Kelly 23 Comments

Just when you think you’ve tried everything in weaving, you come across something different, like Clasped Weft.
Clasped weft can be a great “next step” for newer weavers with a few plain weave projects completed and who are ready for something a bit more adventurous.
The cool thing about weaving clasped weft is that, similar to Colour and Weave, most of the work is in using colours to make your weaving look fancy, when in actual fact it is quite simple.
The clasped weft technique uses 2, 3 or 4 interlocking weft colours. Using 2 colours to begin with is the easiest and least complicated approach. If you have done any tapestry, you may already be familiar with the interlocking technique.
*This post contains affiliate links. for more information, see my disclosure policy.

We mainly use a plain weave structure (though clasped weft can actually be used in other structures, such as twill). It is a perfect technique for a rigid heddle loom, because, although it’s simple, it looks special and has big impact.


Before we go through the tutorial steps, let’s look at some (rather poorly drawn, sorry about that!) diagrams to get a clearer idea of how this works. The drawings are over simplified, as I haven’t drawn in the warp and weft interlacement, but I have drawn in the edge warp threads:

Clasped weft with 2 weft colours.

Clasped weft with 3 colours.

Clasped weft with 4 colours.

Now let’s go through the tutorial steps so that you can get clear on how clasped weft is actually woven. Today, we are just focusing on working the two weft colour technique, as I believe this is the best place to begin if you’re not familiar with clasped weft or haven’t attempted it before.
Begin with two contrasting weft yarns of the same weight. I have used one with a dark navy colour and another that is variegated with bright colours.
See the tips section below for more on why variegated works perfectly.
My warp and weft yarns were all light worsted/dk/ Australian 8 ply weight. Wool, acrylic or cotton are all fine.
One weft yarn is loaded onto a stick shuttle, in my case this was the dark navy. The other colour is left in a ball or on the cone. My variegated colour was in a skein and so I wound it into a yarn cake with my ball winder.
A yarn cake (also known as a centre pull ball) is particularly good to work with for clasped weft, because it sits nice and flat on the floor and won’t roll away. The yarn also feeds off the yarn cake seamlessly, which makes the whole process that little bit easier. If you have a ball, you may want to sit it in a box or basket on the floor to contain it.
Place the ball of yarn on the floor at your left. It doesn’t matter if you place it on the right or left, but for the purpose of this tutorial it’s on the left.
Because the ball (let’s call it the contrast yarn) is on the left, we enter the shed with the stick shuttle on the right. Again, it doesn’t matter whether you are in the up or down shed, but I am beginning in the down shed.
Take your stick shuttle across from the right hand side to the left as though you’re going to weave a regular plain weave pick.
When your shuttle reaches the left hand side, pick up the contrast yarn and place it over the top of the stick shuttle.

Take the shuttle the rest of the way through the shed at the left – as you would for your normal plain weave pick.

On the right hand side (where your shuttle entered), tidy up and prepare your weft yarn as though you’re going to beat the pick in. If you’re not familiar with how to do this, watch my free video on How to Weave Neat Edges.  DON’T BEAT.

Take the shuttle straight back into the same shed. Don’t change sheds, and don’t beat! Take the shuttle through, back to the right where you first entered the shed.
As you return the shuttle to the right, you will find that the navy yarn is linked or clasped with the contrast yarn. This means that the contrast yarn is pulled into the shed. Now you get to decide how far you will pull the contrast yarn into the shed. A little? A lot? Your choice, depending on the effect you want to achieve.
Hold both yarns under tension on either side to manipulate where you want the two yarns to go.
When you’re happy with the yarn positioning, beat the picks into place. You will notice that both yarns are now doubled in the shed.
Change to the next shed (in my case I had been working in the down shed, so I go on to change to the up shed).
Continue weaving in the exact same manner in the new shed and repeat until you’ve finished weaving.
Isn’t your head just swimming with all the possibilities of this wonderful technique?
Clasped weft can be extremely planned or extremely random. It looks wonderful both ways and is just so much fun to weave.
Here are a few recommendations for best results:
1. Use contrasting weft colours.
Light and dark will make the weaving pop. 
2. Use the same weight yarn for both warp and weft.
You will get better results and avoid the not so pretty lumps and bumps that can occur at interlocking points.
3. Variegated yarn is perfect for this.
For the 2 colour clasped weft technique, a variegated yarn with a contrasting yarn looks really cool! (See photos below and above).

              4. Using the same colour as the warp for one of your weft colours works great.

Too much colour can confuse the contrast of the clasped weft lines. In the tutorial, I used the same navy yarn for warp and weft no.1. I then used a contrast yarn for weft no.2.

If you like the look of clasped weft as much as I do, I have some great news for you! I have 3 free Youtube video tutorials that will teach you each of these techniques. Start with video 1 so that you can practice the technique, before moving on to the others. 

Clasped Weft with 2 colours
Clasped Weft with 3 colours
Clasped Weft with 4 colours
I mentioned that the clasped weft technique can also be used for other weave structures. This can create really interesting and impressive special effects. One of my Etsy patterns, The Cityscape Scarf is a perfect example of a clasped weft combined with a twill.
Try it out and let me know what you think. Leave me a comment here or under any of the Youtube videos, I love to hear from you!
Until next time…
Happy Weaving!

Filed Under: 4 shaft weaving, Free Pattern, Free tutorial, Inspiration, Online Weaving School, Rigid heddle weaving, Rigid Heddle Weaving Patterns, Tutorials, Weaving Tagged With: clasped weft, my youtube channel, rigid heddle weaving tutorial, weaving

Lacking inspiration? Do this!

by Kelly 6 Comments

We all have those days, usually when we’re overworked and overtired, when we want to do something but don’t know where to start. We don’t feel inspired and we wish an idea would just magically come.

Let me tell you my failsafe method for getting rid of the “no inspo blues”! 

My kids actually taught me this one. Every time I want them to do a big clean up of their bedroom or play area, they start to get busy but within a short amount of time I hear. “Mum, look what I found!”  “I actually forgot I had this!” And eventually, it becomes a battle to keep them focused on the task of cleaning up because they’re excited about rediscovering old games, toys and books.
Once the clean up is finally done (this whole process can be similar to having teeth pulled) they are much happier. Not only have they found things that they’re excited about, they now have a clean, uncluttered space to use those things in.

See where I’m going with this?

When I feel tired and uninspired I often find myself wandering into my studio, looking around, sighing, maybe working on a couple of unfinished things half heartedly.
But, once I get out the duster, pull everything off the shelves, clean and rearrange, then the change within my head starts to happen.
I’m reminded of all the beautiful yarns and threads just sitting there waiting to be used. I put these yarns into order so that they are better displayed and I can easily find what I want. I start to get ideas for new projects. I restack my reference books. Hey, I haven’t looked at that one for a while, let me just have a flick. Ooo, I love those colours, I wonder how I could incorporate that into my weaving! And once I’ve done the shelf, I notice how messy my big storage container has become, so I tackle that next. Oh, and what about the table? How can anyone get any work done on a table that is covered with stuff and getting dusty? 

It’s not too long before my messy place is clear and clean. In turn, my mind now feels clear and clean. I have mental plans for my next steps forward and I know it’s going to be all the more enjoyable because everything is in it’s proper place.


So, next time you’re lacking inspiration, get into your creative space and get organised! Then, get making!


Filed Under: Weaving Tagged With: my creative space, weaving

Kelly’s hand woven, perfectly hemmed technique.

by Kelly 23 Comments

*This post contains affiliate links
I won’t tell you how long these towels have been sitting on my creative table waiting to be hemmed. What is it with final techniques and me? I go to all that trouble to weave something beautiful and then let it sit there for who knows how long before I get around to hemming!  
Anyway, lets focus on the positives. The towels ARE hemmed now, and I’m going to share my simple but effective hemming techniques with you!
Firstly, always weave a little extra where you intend to hem, and don’t forget to factor in hemming allowances to your overall calculations. I like to make a little contrast weave at the beginning and end of a piece that I’m going to hem. Here I’ve woven plain weave borders at either end. There are 2 advantage to this – 
1. The contrast looks nice.
                                                                       2. The border is less bulky and therefore makes a more crisp and pleasing hem.
You can see that my raw edge is secured on a serger to prevent any unravelling during the wet finishing process. It is helpful to give the whole woven piece a good press before beginning, it’s always easier to work with pressed fabric.
This is what I call my “dog ear” technique.  Fold in a corner on each side of the hem and press down with an iron. There are 2 reasons for this also – 
1. The corners can get ugly and a bit ragged in the washing process – I want to hide them!
             2. Towels have a tendency to be wider at each end. This reduces a little of that “flared out” look.
Once my dog ears are pressed down neatly, I take the raw edge and fold it over, usually around 1/4″ but more if it’s particularly raggy. Press with the iron.
Now I fold again, this time 1/2″ or more and press. Now all raw edges and corners should be completely encased and hidden. Once pressed, you can also place pins along to hold everything in place if you wish.
Take it to the sewing machine (different towel in this photo but the same process). I use Gutermann sewing thread. I learned early in my sewing journey that life is too short to sew with cheap threads that will break over and over! Sew with a straight, medium stitch close to the folded edge (roughly 1/4 – 1/8″).
You can use a different stitch if you want to, I just like the professional looking finish a medium straight stitch gives. Don’t forget to reverse stitch at the start and finish.
For an almost invisible finish, you can hand hem with a needle and thread, you can find that tutorial here.
Seeing as we’re on the subject of towels, if you’re on the hunt for your next towel project, you may want to try one of my classes or patterns.
Online class:
Happy Fibonnaci Towels
                                                                       Colour & Weave Towels
      Diamond Stripe Towel Weave Along (currently only open to members of the Online Weaving School)
PDF Patterns:
Lux Hand Towels
Happy Fibonnaci Towels
                                                                           Diamond Stripe Towels
                                                                        Bright & Beautiful Towels
Drop me a comment to let me know if this post has been helpful to you, I love feedback!
Until next time…
Happy Weaving!

Filed Under: Weaving Tagged With: floor loom weaving, hemming, kitchen towels, rigid heddle weaving, Sewing, weaving

Make do and make a start

by Kelly 12 Comments

This post contains affiliate links. I only recommend products I use and love.
I thought I’d share with you a little reality check today. It is easy for us to imagine that people we see on social media, on websites, on Youtube or anywhere on the internet have it all together and their lives are pretty perfect. We imagine them to have all the things we need or that they are somehow “better” than we are – all because they have learned how to present themselves in a certain way that looks great to the rest of the world.


How does this tie in to weaving? In so many ways! How often have you wished that your loom was bigger or better? Have you gazed longingly at other weaver’s beautiful pictures online and wished that you could do that too? Have you grumbled at your lack of space/time/finances to “make it all happen”. 


Well, I’m here to tell you that, just like life, weaving is a journey – often long and sometimes difficult. 
When people find out that I homeschool my children and have been doing so for their entire lives, they are amazed and say things like “Well, you are an expert then!” Nothing could be further from the truth. Every day is a new start with people and needs ever changing. It’s a constant process of re-evaluation and starting over. Of asking God to please help me through this day. Of learning and applying new things. 


And I think this is normal. We don’t step on a plane expecting to arrive at our destination immediately. We have to be patient to get the reward!


To illustrate my point, I will show you my film studio from today.  Much of the time, I can’t film in my studio space as it’s a shared, walk through room.

So, I set up in our bedroom so that I could close the door. It’s a bit dingy and it desperately needs a paint job, but it’s a room with a door, so I’ll take it.  Lets have a look at my setup.


I film with my son’s Nikon D7100 and his Video MicPro microphone. The tripod is mine! The loom is mine too 😀 The chair was a freebie that my husband got for me when his old office building was closing down. The OttLite belongs to my husband. When I finish the video, I edit on my son’s computer using his software. 

You can see that most of what I use to film videos for my Online Weaving School is borrowed and fairly basic. But, it all allows me to do what I do. I may never have a great setup, no matter how much I want it, and that is ok, I am grateful to be able to do what I do without the bells and whistles. 

I can polish my photos and videos so that they look pretty good on your computer. I get to work from home, doing what I love and spending the days with my children. Does this mean I have the perfect life? No way, it just means that I’m prepared to make do and make a start.

Today I was working on filming for my up and coming Boot Camp for Weavers course. I’m beyond excited about this, a little apprehensive, having never done something like this, but very excited. It gives me so much joy to see a new weaver get up and weaving with enthusiasm and confidence, that is what I want for all my students! There will be more information about the course as I near completion. 
How did this blog post get so long? My fingers seemed to have a mind of their own and if I don’t finish up my family will be eating burned chicken tonight! If you got this far, thank you for taking the time to read.

Until next time….

Happy Weaving!

Filed Under: Rigid heddle weaving Tagged With: rigid heddle weaving, weaving

Towels just for moi!

by Kelly 3 Comments

 I recently completed a project that I undertook just for me. Most of my weaving is for classes, patterns or customers, so to set aside the time to weave something for myself was pretty special!


As you may already know, I make bread for my family. I use kitchen towels to cover the rising dough and to cover the finished loaves as they cool. Perfect! Bread towels were what I needed!
I warped with 22/2 cottolin in natural with a red cotton stripe to accent.

Then I decided on M & W threading and some 2/2 twill variations.


I changed up the colour for each new towel so that some have bold patterns and others subtle.


For this one I changed both the colours and the treadling for a feature border.
To finish off, a little embroidery.


I am very happy with my new set of towels. Being hand woven with quality yarn, I know these will last many years in my kitchen.

How about you? Do you find that you’re always weaving or making for someone other than yourself? Perhaps you want to follow my lead and put aside some time to make something special just for you!

Filed Under: #weaveforme challenge, 4 shaft weaving, Floor Loom Weaving, Weaving Tagged With: 4 shaft weaving, floor loom weaving, weaving

Happy Easter!

by Kelly 1 Comment

Wishing you all a most blessed and happy Easter! If you are travelling, keep safe on the roads. 
Christus resurrexit! Vere resurrexit!  

Enjoy the Easter break and I hope you get some time for weaving. I’ll be working on this one, which is a new design for my next Etsy pattern. 

See you all soon!

Filed Under: Uncategorized Tagged With: Catholicism, Celebrations, weaving

Fear of the loom!

by Kelly 3 Comments

I am sometimes surprised by the fear that can exist in newer weavers (and often not so new weavers as well). The fear that you will get stuck and not know what to do, the fear that the project won’t turn out the way it’s supposed to, the fear that you are not smart enough to learn how to use your loom, the fear that you will waste yarn if you make a mistake… I could go on.





I know people who have abandoned a new loom into a corner, a spare room or (dare I speak it?) a dusty garage. The fear is too great to make a start and they feel they have failed before even beginning.


I say that I am surprised, but I really shouldn’t be. All it takes is a few moments of thinking back to when I was a new weaver. I was so excited by this beautiful piece of equipment, but silently terrified! What a privilege, but what a responsibility! 

Is that fear still with me? No, although I do sometimes feel an apprehension when trying something new with very expensive yarn!



So, how to rid yourself of the fear? It’s actually very simple. You arm yourself with the knowledge you need and you practice! Read books, find resources, take courses, find weavers, join groups and network. And practice! Start simple and work your way up. Think of how an athlete trains. That is you, at your loom. Training, practicing, learning from mistakes and building knowledge.

If you do this, the magic will start to happen. That magic is CONFIDENCE! And with confidence, the sky is the limit.


If you are at that frozen with fear stage with your loom, perhaps you need some extra resources to help you out. 


My Youtube channel has a plethora of videos to help you get started in weaving.


My Online Weaving School is a great place for learning and gaining confidence. 


My Facebook Group is a friendly and welcoming place for weavers of all levels.





I hope this post will inspire you to go out there and weave beautiful things!



Filed Under: Weaving Tagged With: fear, Kelly casanova weaving lessons, weaving, weaving lessons

DIY natural hand softener

by Kelly 3 Comments

Do you ever have problems with dry hands that become rough?

Gardeners are very familiar with this issue, but it can also happen if you frequently use soap for hand washing or are often in a heated environment.

 
 If you work with your hands, dry skin can be frustrating – you will have threads catching on rough skin and if it gets bad enough it may become painful to use and wash your hands – not nice!
 
*This post contains affiliate links. For further information, please see my disclosure policy.
 
 
 
So today I am sharing with you an old embroiderer’s trick to smooth and silky hands in no time, using  natural ingredients that most of you should have in your pantry. And, it really works!
 
 
2 tablespoons white, granulated sugar
2 tablespoons olive oil
Yep, that’s it!
 
If you want to really treat yourself, you could add a drop or two of essential oil. I use oils from Eco Modern Essentials and my personal favourites to use are lavender, peppermint or rose.
 
 
Mush the two ingredients together in a bowl until it comes together.  Now, with both hands, rub the mixture all over the fronts and backs of your hands. There is not set time for the rubbing, but if you do it too long it may over exfoliate and start to hurt – less is probably more!
 
 
Wash your hands in warm water (you may need just a little soap or wipe on a paper towel or similar to help dissolve the excess oil). Pat your hands dry with a nice soft towel.
 
Follow up with a moisturiser if you wish, though I don’t find it necessary. Enjoy your soft and silky hands!
 
P.S. This towel is the underside of one of my hand woven Lux Hand Towels, the pattern is available in my Etsy shop.
Until next time…
 
Happy Weaving!


Filed Under: Health and home, Weaving Tagged With: hand softener, Kelly casanova weaving lessons, natural living, weaving

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