rigid heddle loom

Baubles and Candles on a rigid heddle loom

With Christmas fast approaching, I wanted to gift you all with something fun and achievable, as well as having a festive theme.

I came up with some simple baubles and candles that I’m confident is suitable for any level of rigid heddle weaver.

This project is very decorative and better suited to low wash items.

*This post contains affiliate links. For more information, please see my disclosure policy.

For the project, I just wove a sampler to illustrate the patterns, but you can use the designs however you please.

What you will need:

A rigid heddle loom (any size is fine if you just want to weave the sample.

A 7.5 dent heddle

A threading/reed hook

A stick shuttle wider than the width of your weaving

A pick up stick wider than the width of your weaving

A tapestry needle

Yarn options:

For my warp I used a light worsted/dk weight wool in white. I used this same yarn for my plain weave. The same yarn, but in different colours was used for the pattern weft. Please see the video for colours used.

For embellishments, I used small amounts of DMC embroidery floss.

Sampler Specifications:

If you wanted to weave a sampler just like mine, here are the basic measurements.

Number of ends: 64 (32 slots)

Approximate width on loom: 8″

Sett: 7.5

Total warp length: 35″

The baubles and candles use the same overshot weaving technique as my reindeer, snowmen, gift boxes and winter trees.

There is a pattern weft that forms the picture or design, and in between every pattern pick is a plain weave pick (either an up or a down shed).

Weaving Instructions:

The Baubles –

I left a border either side of my designs in order to centre them and make sure that none were inadvertently cut in half! I left 6 threads on each side. This is optional, and you an adjust the border threads to suit.

I’m not including the border threads in the weaving steps, but if you watch the video you won’t have any trouble following along with these instructions.

Remember that you need to weave a plain weave row in between every pattern weft.

Step 1. 6 up, 2 down, *7 up, 2 down, repeat from * (7 up, 2 down for the rest of the way across)

Step 2. *5 up, 4 down, repeat from *

Step 3. 4 up, 6 down, *3 up, 6 down, repeat from *

Step 4. Repeat row 3, with a contrast colour

Step 5. Repeat row 3, with the original colour

Step 6. *5 up, 4 down, repeat from *

Step 7. Repeat row 1

The Candles:

For the candles, I left a border either side of 5 threads instead of 6, to work in better with the required calculations for the design.

Step 1. *4 down, 4 up, repeat from *

Step 2. Repeat row 1, alternating plain weave rows with pattern rows.

All of these details are available in a handy PDF for you to print out. You can download and print that right here:

Baubles-and-Candles Download

And you will want to watch the video and follow along with the instructions. You will find the free and detailed video here:

I hope you enjoy this project! Thank you all for your AMAZING support this year!

I wish you all a very Merry Christmas! 🎄

Until next time…

Happy Weaving!

My loom just arrived. Now what?

by Kelly 5 Comments

You have made the big leap and purchased your very first loom! You can hardly contain your excitement and you start to wonder whether it’s normal to have been stalking the delivery guy like you have been!

You are well prepared, you’ve done your research, watched a ton of Youtube videos and read a heap of weaving related articles. You just cannot wait to get your hands on that loom!

*This post contains affiliate links. Please see my disclosure policy for further information.

Am I over exaggerating here? Well, this was me waiting for my first loom to arrive so I’m sure many of you have felt the same.

Depending on the loom that you purchase, it can arrive to your door in any number of ways. I’ll discuss each of the main loom categories so that you know what to expect when your order arrives.

Inkle Loom

My Ashford Inkle Loom arrived with some assembly required. The assembly was very basic and did not require complicated tools to put together.

You need to glue and tap the pegs into place. That glue then needs to be left for 24 hours to completely dry, which is an important step in the future stability of your loom.

Then it’s a simple matter of installing the small pieces of hardware provided (the rubber feet, the tension peg etc).

Ashford do recommend to use a wax or other sealant on the wood of the loom once you have assembled to protect the wood from sun and moisture damage or other stains.

Rigid Heddle Loom

A rigid heddle loom will arrive flat packed in a box. Depending on the company, the loom pieces that are wood may or may not be finished. Ashford rigid heddle looms are not finished, so if you want to wax or lacquer your loom you will need to do that, then let the pieces dry before beginning to assemble.

The knitter’s loom, which I wrote about here, comes with the wood finished and ready to assemble, so that is something to bear in mind.

The length of time to assemble will vary and may depend on your aptitude to follow written instructions. I noticed that Ashford did recently upload this rigid heddle assembly video, which should be a good help to many.

A rigid heddle loom is not too difficult to put together and depending on the size you have purchased, should take 1 – 3 hours (not allowing for glue drying times where applicable).

Tapestry Loom

It’s more difficult to talk about a tapestry loom as there are many different types – some are made of wood and some of metal.

The assembly of my Mirrix Big Sister was a very simple affair as there really are not that many parts. There was no screwing wooden sections together, it was more just placing pipes within other parts and tightening up. So, even if you were challenged by written instructions, you could easily have this type of loom put together in under an hour.

If you are interested in this type of loom, I’ve written a review here.

Table Loom

Table looms will also mostly come flat packed in boxes and the pieces are all finished and ready to assemble. There are a lot more parts to a table loom than a rigid heddle. I remember the first time I bought a table loom, those boxes were very exciting but quite confronting as well!

Luckily for you, if you have purchased or intend to purchase an Ashford table loom, my husband and I have put together two detailed videos that take you step by step through the assembly process.

I have loved to have a video like this for my first table loom assembly, but I’m very happy to think so many new weavers don’t have that same headache and can instead follow our instructions to get it done.

You can watch the first video here:

I recommend that if your table loom has just arrived, set aside a day where you don’t have much happening to put it together. With drying times, you may find it easier to work on it over several days, getting a few steps done on each day.

That makes the process not too overwhelming and tiring. Don’t worry if it takes you a bit of extra time to put together, you will get it done and it will be worth it.

Floor Loom

This is a biggie. Literally! The size of a floor loom means that the pieces are plentiful and large. Floor loom pieces should come finished and ready to assemble. Most of the time they will be flat packed, but not always.

Of course, if you purchase second hand, or are lucky enough to get a floor stock loom from a shop, it will be either fully or partly assembled.

If your floor loom is new and in pieces, it is super helpful to lay out all the pieces in the approximate correct shape of the frame of the loom on the floor. This helps you get a good look at how and where the pieces will go.

Don’t expect to get assembly done quickly, it can easy take several days and you will need a good amount of space where you can leave partly assembled parts and non assembled parts laid out where they won’t be disturbed.

My Louet David was laid out on a carpeted floor in a non foot traffic area of our home, which made it all so much easier and meant that none of that beautiful, smooth wood got scratched or damaged in any way.

General Assembly Tips

When your loom arrives and you unbox it, keep all like pieces together (screws of a certain size etc).

Using the instructions provided, go through every piece to ensure it is there. Factories can make mistakes, it happens occasionally that a piece will be missing. If that happens, you want to know about it before you begin assembly rather than half way through.

It also means you can contact the company right away and tell them a piece was missing in the beginning. If you find a piece is missing part way through assembly, you can’t be absolutely sure whether you may have lost a small piece yourself. Trust me, it’s worth checking!

Lay all the pieces out in a space, if you have the space. This helps you to visualise how the loom will look and gain an understanding of what the parts do.

Teamwork is awesome! If you have a spouse or someone else who can assemble the loom with you, that is very helpful. Not only are four hands better than two, two brains are much better than one! It can make all the difference to have another mind at work beside you, to see things from a different angle to you.

Take your time. You will only need to put the loom together once, so it’s worth doing it properly and not to rush. You will get to weave on it, you just have to be patient!

Are there any other tips you would add to these? Please share them in the comments for the benefit of other readers. Thank you for your contribution!

Until next time…

Happy Weaving!

Free Style Tapestry Weaving on a Rigid Heddle Loom

by Kelly 8 Comments

You know sometimes you do something with absolutely no notion of the possible future repercussions?

That is what happened when I made this freestyle tapestry series. I was really doing it for me, but I decided to turn the camera on and bring my Youtube audience along for the ride.

Since then, the 4 video series has gone viral on Youtube, with one of the videos winging it’s way towards 1 million views! Crazy!

These videos were recorded pre professional lighting and sound equipment. I was using my son’s camera.

This video series on Youtube began after a busy morning, a tired me and a desire to weave something that would be rewarding and yet didn’t take too much brain power.

I was too tired to sit down and calculate a project or go through my stash to see whether I had enough yarn to complete a project.

So instead, I found some bits and pieces of yarns left over from other projects, put a short warp of a fingering weight cotton, hand dyed and left over from a previous project, on my rigid heddle loom (which only took around 20 minutes to do), sat down with my bag of left overs, and just started weaving.

How often do we gift ourselves with this kind of luxury? To weave with no set plan, to invest in the process more so than in the expected outcome? I know that I definitely don’t do this enough!

This kind of weaving is so relaxing and free-ing. It is not a fast way to weave, but when you get in the groove it doesn’t seem to matter how long it takes.

With this kind of weaving we use the basic rules but we bend and stretch them. We say, “I want to do this!”, and we do it. We push the weaving around, we beat it up and down, we put in colour as we go, we use all kinds of yarns. And we love the process.

So, what do you need to get started?

*A rigid heddle loom

Well, a rigid heddle loom is really perfect. It will take care of our 2 sheds and our tension beautifully, so that once warped all we have to think about is the weaving. The heddle goes up, the heddle goes down. Repeat. Simple.

You could do this on a Sampleit or Cricket loom with no problems as you don’t need a wide width – you can make the piece whatever size you wish.

I used a 10 dent heddle for my piece.

You can also weave a piece like this on a simple frame loom or tapestry loom, but using a loom that has the ability to change sheds is really helpful. My Mirrix Big Sister is an example of a tapestry loom with a shedding device.

*A stick shuttle or two.

Using a lot of colours in one project doesn’t lend itself well to stick shuttles, as you would need a lot of them. Therefore, I usually use a couple of stick shuttles and for the rest of the colours I just pass them through with my hands and keep the weft yarn in either butterflies or little balls. Butterflies are neater though. I have a video tutorial on how to make them!

*A threading and reed hook

The reed hook is for pulling threads through the slots of the heddle/reed when you’re warping. The threading hook is to pull the threads through the holes in the heddle/reed when threading the loom after warping. I love and use these Ashford Double Ended Hooks, I have a bunch of them in case I lose any and use them constantly.

*A Tapestry Needle

This is really handy for if you intend to hemstitch your piece and also for needle weaving extra yarn into gappy sections if you want to. A tapestry needle with a bent tip is even better!

*Additional beater

You will need this because we are creating a weft faced weave here, meaning that we want the weft to totally cover the warp. The heddle/reed that we normally use for beating does not push the weft down enough as it is designed more for a balanced weave.

There are a number of options for an additional beater. A large fork works really well. I also have a little tapestry beater that I use. There are “proper” tapestry beaters available as well, but I would only purchase one if I was going to be doing this type of weaving a lot.

What about the warp calculations?

Well, as I pointed out, I didn’t calculate at all, but my warp was around 8 inches wide and 40 inches long.

And the yarns?

A variety of yarns were used, but I did use quite a lot of wool in light worsted/dk weight and also in an aran weight. Some were fingering weight. Some were hand dyed, some were commercial.

I also used some cottons in various weights.

Techniques used:

Mostly this type of weaving is just plain weave (1 pick in the up shed, 1 pick in the down shed, and so on) that is packed down tight.

In some areas I would build up mounds or shapes by taking the weft part of the way through in one shed, change the shed and then take the yarn back the same way I just came in.

For example, I brought the green in from my right in the down shed. Roughly half way across I stopped and took the yarn down through the warp at the back rather than continuing it to the left hand side for a full pick.

I changed into the up shed and took the green back to the left.

This is a classic tapestry technique that allows the weaver to begin building up areas of colour, usually to make shapes.

If you keep ceasing the weft yarn and turning back in the same place each time, you will build a block or straight edged shape. Or, by varying the place in the warp where you turn back the weft, you can taper the shape to make it rounded.

The first and second videos of the series show in detail how this technique is used.

In a number of areas I have used outlining. This is basically putting in a darker weft that either outlines a shape you’ve made or just provides a good contrast between one colour and the outline colour. You can see here that I’ve used some black to outline a green section, and the contrast is very effective:

In some places I combined outlining with needle weaving. Needle weaving allows you get weft yarn into tricky spots. I had created a valley in the middle of my piece, but then I wanted to fill it with a small, highlighted section. I started by outlining a “jewel” shape with my black yarn and a tapestry needle:

Next, I brought in a brightly coloured and highly contrasting hand dyed wool with the needle, and wove that into the space that I had outlined with the black wool:

Needle weaving isn’t the only way to do this, but it’s easy to get exact smaller shapes and sizes within the piece.

If you’re interested to know how the piece actually starts out and how you achieve all those cool curves, the 3rd video restarts another piece in order to show just how it’s done.

And then finally the 4th video has an added bonus of demonstrating how to weave a circle within your piece using a simple template. You can also embellish with embroidery, which I did in some sections of my finished piece. This is easier to do while your weaving is still on the loom.

Due to the huge response from this video series, I decided to make a second freestyle tapestry series for Youtube. This one was inspired by the Van Gogh painting, Starry Night. The video series is filmed mostly in real time and is at a very relaxed, step by step pace.

And, of course you will want to check out the original 4 part video series beginning with part 1:

If you want to get a little more serious or delve into some more traditional techniques for weaving tapestry on your rigid heddle loom, I have an online course that will be just the thing for you.

Some of the topics covered in Tapestry on a rigid heddle Loom include soumak, interlocking, straight lines and how to use a tapestry cartoon. I’m sure you will love it!

Do you have any questions? Have you tried this type of freestyle tapestry weaving? Or do you intend to?

Let me know in the comments below, I love to hear from you!

Until next time…

Happy Weaving!

How is a knitter’s loom different to a rigid heddle loom?

by Kelly 41 Comments

As you probably already know, I’m a big fan of Ashford looms, I have four of them myself. I have found their looms to be reliable, easy to obtain, excellent learning tools and affordably priced.

Ashford make a variety of looms including the rigid heddle, knitter’s loom, inkle looms, table looms and floor looms. They also make a big range of weaving tools, yarns and accessories, as well as all their other supplies for fibre artists.

*This post contains affiliate links. Please see my disclosure for more details.

Ashford rigid heddle loom, photo courtesy of Ashford website.

I also love that the Ashford factory is based in New Zealand, my second favourite country (after Australia, of course!) and all the wood used is sourced from there too.

But today I want to focus on two of their looms that are very popular but also cause some confusion among new weavers – the knitter’s loom and the rigid heddle loom.

If you’re interested in knowing more about looms prior to purchasing, or just out of interest, I have a list of articles and videos that will be a big help to you.

Ashford Knitter’s loom, photo courtesy of Ashford website.

Having never actually used a knitter’s loom myself, I knew it was time to call in some expert knowledge on the subject, and who better to answer my questions than Kate Sherratt from Ashford.

Kate was very generous in not only answering my questions but in giving me extra information for all of us to learn from. Let’s start with a little history of the rigid heddle and knitter’s looms:

Ashford’s have been making Rigid Heddle looms for over 70 years. Pictured below is Richard Ashford’s mother, Joy with one of their early looms.

The Knitters looms are a more recent addition and were introduced in 2005. These looms are a type of rigid heddle loom but with some differences.

One of the aims of the knitters loom was to change the mindset that you can only weave with weaving specific yarns. It paved the way for knitters, who already had a healthy stash of knitting yarn, to ease seamlessly into weaving and continue to utilise the yarn they already knew and loved.

The release of the knitter’s loom brought a whole new wave of crafters and fibre artists into the weaving world. It had features that were very attractive to the brand new weaver who wanted to get up and weaving really fast.

It folded with weaving in place, it was lighter and more compact than previous rigid heddle looms, it had the factory lacquer finish and it was assembled.

So, which loom is the right one for you?

Ashford now make three types of rigid heddle looms – The Standard Rigid Heddle looms (RH), the Knitters looms (KL) and the SampleIt looms (SL).

Kate points our that all these looms are exactly the same in the way they function – you warp and weave on them in the same way.

The difference comes down to personal preference:

What size do you prefer? What do you intend to weave the most?

How much money do you want to spend?

How much space do you have?

Will you want your loom to be as portable as possible?

Let’s take a look at the differences between the three types:

RH come in four weaving widths 40cm (16″), 60cm (24″), 80cm (32″) and 120cm (48″).

KL come in three weaving widths 30cm (12″), 50cm (20″) and 70cm (28″)

SL come in two weaving widths 25cm (10″) and 40cm (16)

KL come assembled and have a factory lacquered finish and include a carry bag, making it very convenient to take to a class or outing.

RH come kitset and unfinished timber. This means you need to do your own lacquering, painting or waxing and assembling.

SL come kitset and unfinished.

KL fold in half for storage and transportation, can fold with weaving in place. Are made of the lighter timber.

RH are made of thicker more solid timber and do not fold.

SL are smaller, lighter and more compact – the most prominent difference is the depth of the loom – which will only effect the weaving when using non elastic yarns like cotton.

RH have more accessories available – the freedom roller, the table stand, and the warping pegs are exclusive for the standard rigid heddle looms.

What these three looms have in common:

6 different dpi reeds are available for all.

Vari dent reeds are available for all.

Stands are available for all.

They all can be warped the same.

They all can be woven on the same ways.

They all are affordable.

They all work extremely well, are well designed and do what they are supposed to do.

I also had some specific questions for Kate. These are things I am often asked by students.

*Can you use two heddles on a knitter’s loom?

All our rigid heddle looms come standard with the double heddle sideposts – as far as using three heddles go, I cannot personally comment as I have not tried it myself but I have seen people using three heddles on all our rigid heddle looms – including the SampleIts (see Amy McKnight’s recent posts).

I will also add here that I have several classes available on using more than one heddle. The most popular classes are Three Heddle Adventures and Weaving with Two Heddles

* Students have told me they have trouble when weaving the down shed on their knitter’s loom. They say that the heddle slips out of place.

On the Knitters loom the reed is held in the bottom position by the warp tension. It does not click into place or stay there when there is no warp on it, it is not supposed to. (the standard rigid heddle reed does not either, it only hangs from the upper rail, and as the KL has to fold the rails needed to be different).

*Students have also mentioned that they need to angle the back of the knitter’s loom in order to weave. Can you explain this?

See the attached snippet from the Learn to Weave on the Knitters loom booklet (that comes with the loom) – the design of the loom, so it could fold etc, requires the back half of the loom to be angled up when weaving. This is probably the number one issue people have when starting out “help I have no shed” – to which the simple answer is lift the back up into the correct position.

*Are the heddle positions the same on each loom?

The heddle position are actually the same on all the looms – the distance is the same from the top to the bottom and to the neutral positions – it has to be the same as our reeds (the distance from the top rail to the eye and to the bottom rail) are all the same. And the sheds are the same…..

*How long a warp can you fit on each of these looms?

This does depend on a few things – yarn type, sett, warp separators etc. The limiting factor is the distance the cross rails are from the rollers – which varies from 7cm to 10cm. So you can fit quite a length!

*Is there anything else you think is important that people know about the looms?

You can do the same things on all the looms – there is not one that performs better technically – it really does come down to personal preference – and my personal preference is the good old work horse – the standard rigid heddle.

The question when buying a rigid heddle loom should not be “what can I do on a rigid heddle loom?” it should be what can’t you do! And although I do have Jack and Katie (and a couple of table looms) – my Rigid heddle looms (of course there are several) hold a special place in my heart – my love of weaving came not only from being taught to weave on a rigid heddle loom but more from all the possibilities there was from a simple piece of equipment – I know it sounds corny but there really are unlimited possibilities!

I get a little cranky when I here people say “oh you are limited on what you can do on a rigid heddle” – because really when you control the type of yarn (or fibre) you use, the colour you use, the texture you use, the sett you use, the patterns you create – the limits don’t really come from the loom they come for your imagination. And as 75% of the woven fabric in the world is plain weave – do you really need something else?

Wise words, thank you Kate!

One more thing I want to clear up is how to clamp the knitter’s loom to a table. This can confuse new weavers, because although clamps do come with the knitter’s loom, there are no holes present to insert the clamps into, like there are with other RH looms.

The answer is very simple, as you can see here:

These instructions, and more, are available from the Ashford website.

I hope this post has helped to clear up any confusion and answer some of your burning questions. Of course, you are welcome to leave any additional questions in the comments.

Do you own a knitter’s loom? A rigid heddle loom? A Sampleit? Was it a difficult decision for you? What helped you decide? Let’s keep the conversation going!

Until next time…

Happy Weaving!

Which loom to begin with? Table loom and Rigid Heddle Loom Comparison.

by Kelly 10 Comments

When you’re starting out on your weaving journey, it can be confusing when you are faced with the variety of looms for purchase. How do you know before buying which one is going to suit your needs the best?

I get asked this question a lot, so I’ve put together a list of things to consider before purchasing. Specifically, I will compare the rigid heddle and the table loom, as these are the most common “beginner” looms available.

*This post contains affiliate links.

My first recommendation when considering the type of loom you might want to purchase is to try actually weaving on one. I know it’s not always possible, but if you have a friend who has a loom or you can get in touch with a guild that has looms for you to try, it can be a big bonus. Many shops that sell looms will be more than happy for you to come in store so that you can physically see and try a loom before buying too.

When I was looking for my first loom, a few factors contributed to my final decision.

The price
Simplicity of the loom
Recommendations

My first loom purchase was the Ashford 24″ rigid heddle loom. I found that I could buy the loom and stand for a fraction of the price of a table loom. Having never woven anything in my life, I didn’t want to spend a heap of money up front, not knowing whether it was something I was definitely going to enjoy.

Being a complete newbie also helped me to decide on the RHL. I could see just by looking at it that it was a more simple loom, and I didn’t want something that was over complicated, as I was going to be weaving on my own.

I chatted with some craft friends online who already owned a rigid heddle loom, and their recommendations also helped me to decide that it was the right choice for me.

Now I’ll go over the pros and cons of the rigid heddle loom (in my opinion!):

Pros–

It’s very lightweight and portable, making it easy to travel with or carry from room to room.
Easy to learn. Like anything, becoming comfortable with a RHL takes time, but as long as you have good information, enthusiasm and practice, becoming a good weaver on a RHL is very achievable.
Time efficient. I guess this comes under easy to learn as well, but the RHL is really quick and simple to warp and get weaving.
Even though it’s a 2 shaft loom, it has more capabilities than meets the eye. By using pick up sticks, heddle rods and extra reeds, you can turn a RHL into a multi shaft loom. If this sounds interesting to you, I have an in depth class showing you how to convert 3 and 4 shaft pattern drafts to your RHL. You can find that class here. I also have a class that shows you how to achieve 4 shaft patterns by weaving with 3 heddles. You can find that class here.
Very little loom waste (you gotta love that!)
Very comfortable to sit at and use
Affordable to get started

Cons–

When I mentioned the possibilities in the “cons”, this means a little extra work and thought for the weaver. You may need some pretty good guidance to be able to set up your loom for more shafts or patterned weaving. A loom that is already set up for multi shafts is more efficient in this respect.
Limited reed sizes. The smallest dent reed currently available is a 15 dent from Ashford. This is due to most reeds being manufactured with heavy duty plastic in a wooden frame. It can only go so small.
It is hard to achieve good tension with finer yarns.
I tend to use my rigid heddle loom with thicker yarns as I feel it is better suited. Is that a con? It’s not really, it’s more of a consideration!

Some weavers ask: “So why would you bother buying a table loom if you can do so much on a rigid heddle loom?”

Well, for me, I was keen to level up my weaving without the full investment of a floor loom. I admit that after weaving on a RHL for a few years, I had loom envy! I felt like everywhere I turned I saw wonderful 8 shaft patterns tempting me, and convincing me that I just had to be able to weave them! If you are completely content with your RHL, I admire you, I really do. I wish I was more like you! 😄

But seriously, I did want the challenge of learning to weave on a multi shaft loom. And I wanted to achieve intricate patterns on a loom that was built for that very purpose.

My first table loom was the Ashford 8 shaft, 32″.

So let’s look at some pros on cons of a table loom.

Pros–

A more affordable way to set up for multi shaft weaving than a floor loom.
All the shafts are there, once you have “dressed” the loom (warped, threaded, sleyed and tied on) you can just enjoy the weaving without further set up necessary.
Boat shuttles work well.
Castle is collapsable, so even though it stands somewhat tall it can be compacted down.
Easy to use when it’s just sitting on a table.

Cons-

You need a sturdy table to place it on
Depending on the size of your loom, you may need help to move it.
Some table loom weavers stand while weaving – that is not going to appeal to everyone (me included!)
Not quite as comfortable to sit at as a RHL and it is best to have a good, height adjustable chair.
Heddles are not moveable once your project is threaded. You can make extra heddles if you need to, but cannot move the shafts during a project.
Dressing the loom is quite a time commitment!
Shed can be small
Depending on the size of the loom, you may not be able to advance the warp from a seated position.

It seems like there are quite a few cons for the table loom, but I try to give as much information as possible and don’t want to leave out any observations that I think are important.

I do think table looms are awesome, and for me, my table loom was a huge leap in my weaving knowledge and ability, especially towards my journey of owning and using a floor loom.

If you enjoyed this post, you may also want to watch the companion video:

If you want to learn more about table looms, please go to this post. Or, if you are interested in rigid heddle looms this post will help. Actually, I have a lot of rigid heddle posts here, so you can also use the search bar at the top of this page and type in “rigid heddle” and you will be spoiled for choice.

I hope this post was really useful to you, as always, you can speak to me in the comments or ask any burning questions you may have.

If learning to weave on a rigid heddle loom is interesting to you, my From Woe to Go! Beginner Rigid Heddle Weaving class is for you 😊

Or, if table loom weaving is your thing, my extensive Weaving on a Table Loom course is what you need.

I also have a comprehensive First Loom Buyers Guide that covers a range of looms to help you make an educated choice in purchasing.

Until next time…

Happy Weaving!

Rigid Heddle Loom cost comparisons

by Kelly 31 Comments

It can be so hard to know where to start when you’re in the market for a new rigid heddle loom, especially if it is to be your first ever loom.

Having only used Ashford rigid heddle looms, it is not really within my scope to compare different looms from a practical perspective. I can’t in fairness give appraisals of looms I have not used (though I’ve made it pretty clear that I love my Ashford!)

Cost is an important factor when considering your loom, and this is where I can help by offering a comparison of various looms and what will be included in the purchase cost.

Not all looms are going to be the same size, so I am going to compare looms of similar size but not always equal. I’m using Amazon for comparisons, but will use other sites if any particular loom is not available on Amazon.

*This post contains some affiliate links. This means that if you click and purchase, I receive a small commission at no extra cost to you.

These prices do not take into account any additional costs such as stands, extra tools or shipping. All prices are in U.S. dollars.

Please also note that most rigid heddle looms come flat packed in a box, so unless you pick one up in a store where an assembly service is offered (usually for a fee), you can expect to be putting the loom together yourself.

Let’s start with the first rigid heddle loom I ever bought and still use constantly.

Ashford 24″ Rigid Heddle Loom-

Listed at $225, this loom comes with a standard 7.5 dent heddle, warping peg, 2 clamps, a threading hook, 2 shuttles, cardboard warping sticks and an instruction booklet. Made from Silver beech hardwood in New Zealand. *Edited to add – this loom now comes with a built in warping board if you purchase the warping pegs separately.

Beka 24″ Rigid Heddle Loom-

Listed for $159.99. Comes with one 10 dent heddle, two stick shuttles, one pickup stick, a pair of heddle blocks, threading tool and complete instructions. SG series looms are made from Cherry wood and finished with Danish Oil. Made in Minnesota, USA.

Schacht Flip Rigid Heddle Loom 25″

Listed at $335, this loom includes a 10-dent reed, warping peg, 2 shuttles, threading hook, and complete warping and weaving instructions. It is foldable and made in America from maple wood.

Glimakra Emilia Rigid Heddle Loom 18″

Listed for $279, this loom is made of birch and is foldable. It includes a 10 dent heddle, shuttle, warping peg, two clamps and a sleying and threading hook. Made in Sweden.

Kromski Harp Forte 16″

Prices starting at $279, this one is interesting. Kromski claim that you will not get a “complete package” with any other RH loom, and that seems to be true. This loom is designed to also be used as a warping board, I think that is quite innovative! I rarely warp my rigid heddle loom indirectly, so it’s not a feature that I would use, but for those who prefer to warp from a warping board, this is a really good deal. You don’t have the extra expense or purchasing a warping board separately and you don’t need the extra space. Smart! Kromski say that this loom also comes with a “warp helper” but I’m not sure what they mean by that.

The Harp is also foldable and as a bonus, the wood is already finished, so you can assemble right away.

A somewhat obscure loom is the Toika Siru Rigid Heddle Loom, 16″. Made in Finland in a classic raw wood, minimalist style, these looms start at around $260 USD.

These looms have an interesting design, with a metal bar and thick back cloth beam. They are foldable and seem to come standard with a double heddle block, which is handy for those wanting to use more than one heddle. You won’t generally find this loom for sale in the usual places (Amazon, large yarn or supplies stores) though other Toika looms are not too hard to find.

Leclerc Bergere Rigid Heddle Loom 24″

Price for this size is $285. This one comes with a blue boat shuttle! The Leclerc looks to be a very basic, sturdy design. I’m not sure what to think of the metal handles for tensioning, I feel like that may not be so comfortable.

This loom comes with extra warping blocks, lease sticks and extra shuttles, but doesn’t seem to include a reed or threading hook.

Erica by Louet.

I’m being a bit sneaky including the Erica by Louet in this list. It’s not actually a rigid heddle loom, but it is a 2 shaft table loom. So why include it in a rigid heddle comparisons list? Well, I get a massive number of messages from new weavers who are trying to decide between a rigid heddle loom and a table loom. I almost always recommend a rigid heddle (but not always, it depends on the circumstances of the person asking) but I would definitely not rule out something like the Erica. Here is why:

*It’s like a rigid heddle and table loom rolled into one. It has the same basic shape/frame and tensioning pegs as a RHL, but the “castle” (the upright part!), heddles, shafts and reed as a table loom.

*It’s a fantastic introduction to weaving on a table or floor loom. You have the functionality of a sturdy, upright loom with texsolv heddles without being overwhelmed by too many shafts.

*You have the option to upgrade later to 3 or 4 shafts, increasing the possibilities for your weaving.

With prices starting at $370USD, this is definitely a higher priced entry point loom, but still very reasonable for it’s capabilities.

*It’s foldable and light enough to pick up and put in the car for workshops, teaching or travelling.

I hope this collection has helped you to understand a little more about what you will pay when purchasing a new rigid heddle loom. If I have missed any, please mention them in the comments below!

Weaving kitchen cloths

by Kelly 7 Comments

Kitchen cloths were one of the first weaving projects I ever attempted. They are really perfect for beginner weavers, as at their most simple they can be just a square of plain weave. And, at the end, the weaver has a beautiful and functional woven piece.

*Please note, this post contains affiliate links. For more information, please see my disclosure policy.

If the weaver wants something a little more challenging, adding pick up sticks adds interest to the weave and functionality to the cloth, making the cloth not only very attractive but more absorbent with the added texture.

I am often asked the question “Which yarn is best for kitchen cloths?”

In my opinion, thick cotton is the absolute best fibre for kitchen cloths. It is soft, absorbent, easy to wash and care for, unlikely to harbour bacteria if treated properly and yarns come in many different colours.

My favourite cotton to use for my cloths is from a mill not too far from me. It is a gorgeous cotton, so it makes sense for me to buy and excellent Australian owned and locally produced product.

I also recently tried Yarns and Colors EPIC cotton, purchased from Adelaide Hills Yarn Company. It’s a lovely soft but sturdy cotton in a great range of colours. It’s also available directly from the Dutch company website.

But, what about those of you who can’t access this yarn due to location? Well, there are plenty of alternatives!

A very popular cotton is the American made Sugar n Cream. It is just the right weight for kitchen cloths, is affordable and comes in many bright and variegated colours.

There are some beautiful organic cottons out there too, such as Babytoly, which comes in natural as well as bright, happy colours.

I have heard excellent things about the I Love This Cotton brand, though I’ve not tried it myself.

I have also successfully used a bamboo cotton blend for cloths. The end result is a little different, the cloth is heavier when wet and does not tend to wear as well over time. Still, it make a beautiful, soft and absorbent cloth. If you’re interested in trying a blend, something like this Lion Brand Blend, which is 50% bamboo and 50% cotton would work well.

I have also had fun buying white or natural cotton to dye in variegated colours, using fibre reactive dyes. You can either use the variegated as warp and a solid, contrasting colour as weft or vice versa – both give wonderful results.

My kitchen will always have handmade cloths now, I can’t go back to the disposable cloths I once used!

If you are a member of the Online Weaving School, I have a Kitchen Cloths Class available to get you started.

My Textured Cloths pattern only needs a small loom to weave, the Sampleit is perfect for this project.

I should also mention my Waffle Weave tutorial on Youtube, which gives great texture for kitchen cloths.

I hope that you will experience the joy of weaving and using your very own kitchen cloths.

Until next time…

Happy Weaving!

Which looms do you have and what is on your Wishlist?

by Kelly 24 Comments

This post contains affiliate links. I only recommend products that I own, use and love.
Ashford 60cm (24″) rigid heddle loom

This is my most used loom at this point and most of the classes I teach are on this loom. Initially, I chose it because the price point fitted my budget at the time, and I had the right amount of space for it. I’ve never regretted the purchase. I think of it as my little workhorse! You can check out the same loom by following this link.

Ashford Sampleit

I bought this one for my girls, who often complained that they never got to weave because my loom was always full. I think I have used it more than they have though! It is so good for sampling new ideas and designs, enabling me to have a couple of rigid heddle projects going at once. It also takes up hardly any space at all.

Ashford Inkle

I love inkle weaving, but unfortunately have not had the time to indulge and explore as much as I would like. Once again, it’s not space hungry and allows me to weave a different kind of project while other larger projects are going on. This loom is for bands, but that doesn’t mean that only band projects are possible, you can sew bands together to make all kinds of cool things. I have a beginner series on Youtube for using an inkle.

David 2 Louet

Aka the love of my life! Alright, that’s taking it a bit far but I do really love this loom. 8 shafts, 10 treadles, made in the Netherlands. Compact, easy to operate, beautiful to look at, and so much more. I review it here if you’re interested. I have the second instalment of my Floor Loom Series coming up soon, so watch out for that one!

Previously owned – Ashford 8 shaft 80cm (30″) table loom (the loom available in this listing is a 24″)

I ran out of space when I bought my floor loom, so had to sell my table loom. You can see a demonstration of me using it here and an overview of the loom here. To be honest, I really do miss this loom and often recommend them to others. I can envision myself once again investing in a table loom “one day” but in a smaller format so that it is portable for teaching. The Katie, with it’s light weight and 8 shaft capability would be just the ticket.

Wishlist

Mirrix Little Guy or Big Sister

I have been doing a lot of tapestry work on my rigid heddle loom recently, which has highlighted a couple of things for me.

1. The rigid heddle loom is a good loom for playing around with tapestry, but not the best.

2. I love tapestry!

3. As tapestries are a time investment, it would be ideal for me to have a separate loom for this.

So, why would I choose a Mirrix?

Well, their looms are simple and compact but still a complete tapestry loom. It wouldn’t take up a lot of space that I no longer have the luxury of! I love their sturdy and attractive design, and the shedding devices that many of the loom have is a huge bonus. I have done quite a bit of research and I feel that these are really quality looms, made by weavers for weavers.

There is a video version of this blog post on my Youtube channel if you’re a visual kinda person.

Until next time…

Happy Weaving!

What can I DO on a rigid heddle loom?

by Kelly 12 Comments

Perhaps a better question might be “What can’t I do on a rigid heddle loom?”. Yes, it’s that versatile!

I already mentioned in the previous post that you can create more complex patterns by using multiple heddles/reeds. For example, if I want to weave a 4 shaft pattern, I can use 3 heddles/reeds to achieve that, as demonstrated in my Three Heddle Adventures class. Or, if I want to use 2 heddles I can also weave some really awesome patterns, as demonstrated in my Weaving with Two Heddles class. However, many rigid heddle weavers also achieve more complex patterns by using pick up sticks to manipulate threads that are threaded in the slots of the heddle/reed. You could think of these threads as “uncommitted”, (not threaded in a hole) so free to play around with. One of the more impressive examples of complex patterns with pick up sticks is Jeen’s Pinwheels, which is actually an 8 shaft pattern! You can see another great example of that on FarmNana. I also have a simplified 4 shaft pinwheels class if that interests you!

My Midnight Shawl pattern uses 2 heddles/reeds to achieve a diamond pattern.

Another great boon to rigid heddle weavers is the use of Colour and Weave techniques. To break it down to a simple form, you arrange your warp and weft colours in such a way that, even though you’re usually working plain weave, it can look like an impressive and complicated pattern.

My Log Cabin Table Runner is a good example of the use of Colour and Weave.

My newest Youtube video shows you what you can do by thinking outside the box. I show you how to make a wavy and a zigzag shuttle from cardboard, so fun!

Did you know that you can use your rigid heddle loom for tapestry too? You can read more about that in this post. I also share my tapestry thoughts in this video.

There are many possibilities with tapestry on the rigid heddle loom! This video series outlines the use of freestyle tapestry.

Krokbragd is one of my favourite weave structures, and is easily achievable on a rigid heddle loom. I have written about it, and have many videos on Youtube, as well as a few online classes. I just love it!

I could really go on and on because there is so much more you can do with this humble loom. Hopefully what I’ve written here has convinced you of the capabilities of rigid heddle weaving and given you some more material to look into.

Until next time…

Happy Weaving!

What tools do I need for rigid heddle weaving?

by Kelly 13 Comments

When you buy a rigid heddle loom, it should come with a few standard tools, which usually include:

*This post contains some affiliate links, which means if you click and buy, I receive a small commission at no extra cost to you.

*A heddle/reed (usually 7.5 or 8 dent)
* A warping peg and clamp for direct warping
* A clamp for holding the loom to a table while warping
* A stick shuttle
* It may include a threading and reed hook
* Cardboard warp separators (may not come with all looms)
** Some looms now come with a double heddle block built in

Apart from the standard tools, there are extra things that are either essential or come in handy.

Other essentials:

*Scissors – sharp scissors will save you a lot of frustration

*Tape measure

*Warp separators (if not received with your loom)

*Yarn

*Inch ruler (for figuring out the sett of your yarn)

*Project journal for recording all your project information

*A big mug of tea (or is that just me?!)

Handy optional extras:

*Tapestry needle
*Extra heddles
*Fringe twister
*Sewing machine
*Serger
*Loom stand
*Tapestry beater, comb or household fork
* “S” hooks or other weights
*Calculator
*Instructional books (the Book Depository (affiliate link) has a huge range of great weaving books and this post will help you to determine which book/s might be right for you).
*Online lessons are an awesome tool to get started. You can check out my Youtube channel and my Online Weaving School for further help.

This post is a companion post to this Youtube video, so pop over and watch if you want to see the tools and hear my explanations.

Something to remember when you’re just starting out with rigid heddle weaving is that you don’t need All.The.Things right away! The tools that come with a newly purchased loom are sufficient to get you started, and you can gradually build from there.

If you have any questions, don’t be shy, leave me a comment below.

Until next time…

Happy Weaving!