Tutorials

Wash Your Hands! Towels Free Project

How many times have you heard “wash your hands” in the past few weeks? I’m guessing it’s a lot! I thought it would be the perfect time to offer a free project for us all to enjoy together.

Let’s face it, if we’re going to constantly wash our hands, we might as well have beautiful, hand woven towels to dry them with! I chose bright and cheery colours to increase their aesthetic appeal. I hope that weaving these towels is fun for you and that using them to dry your hands makes you happy.

*This post contains affiliate links

This project is suitable for beginners, however you do need to know how to warp, thread, and set up your rigid heddle loom for plain weave. If you don’t feel you are at that level just yet, I highly recommend my Woe to Go! Beginner Rigid Heddle Weaving class.

Both towel designs are quite adaptable and can be varied in many ways. I give you some ideas on how to go about this in the video class.

We’ll begin by going over some of the tools and materials you will need to complete this project:

*Rigid heddle loom 24” weaving width or wider (yes, you can also use a smaller loom with the understanding that your towels will be narrower than mine).

*1 x 10 dent heddle (or a 7.5 – 8 dent heddle if using Sugar n Cream yarn)

*3 stick shuttles longer than the width of the project. (For the first towel we are weaving with 3 weft colours).

*1 pickup stick longer than the width of the project (additional pick up stick to aid transfer of pick up is optional – a stick shuttle can be substituted.

*Reed and threading hook

*A sewing machine and serger are very handy for hemming but not essential

I used a beautifully soft and lofty cotton to weave these towels on my rigid heddle loom. We will be using the same warp for both towels, but as you can see, using different techniques makes the towels wonderfully varied in how they look.

If you’re in Australia, my yarns were from Bendigo Woollen Mills in the following: Pomegranate, Peacock and White cotton 10ply. But, if you need substitutes, here are my recommendations:

Sugar n Cream in red

Sugar n Cream in white

Sugar n Cream in aquamarine

I Love this Cotton

Knit Picks Dishie

Make sure you download the printable PDF, which gives you all the necessary warp calculations, weaving and pick up sequences.

Wash-your-hands-towels-1 Download

Both towels are woven on the one warp but are quite different in appearance. The first towel uses the same colour sequence to weave as the warp set up, giving us a fabulous plaid.

I chose this design because I have so many weavers ask how to deal with the changing of colours in the weft. This is the perfect opportunity to practice the technique of frequent colour changes by cutting and starting new colours.

I chose to weave 4 picks of each colour and to cut each colour to introduce the new one. But, if I decided to weave, say, 2 picks of each colour, I would likely choose to carry the colours up the side rather than cutting them.

Towel two is woven with just white in the weft.

I started and finished with a plain weave border, with the mid section being woven in a simple but lovely pick up design. If you haven’t used pick up sticks before, you may want to start with this post and video to better understand the process and get you set up to weave this towel. I kept the design and weave sequence as simple as I could so that newbies could have a go.

So, are you ready to watch and weave? Here are the videos that, together with the printable PDF will have you up and weaving these beautiful towels in no time at all:

This free class is also available at my Online Weaving School.

If you complete this project, I would love to see and hear about them. If you tag me on Instagram, I will share your project in my stories. And, if you enjoy the project, please share the videos so that others can benefit too!

If you have any questions or comments, let me know down below, I love to hear from you.

Until next time…

Happy Weaving!

How to weave on an inkle loom

by Kelly 31 Comments

Have you always wondered how to weave on an inkle loom? What it is exactly and what you can weave on it?

An inkle loom is a simple but very interesting and unique little loom. Let’s find out what it is and what you can do with it!

An inkle loom is basically a wooden frame with pegs for your warp to wind around and be tensioned on. There is also an adjustable tensioning peg to release or increase tension.

*This post contains affiliate links. For more information please see my disclosure policy.

Once you’ve wound on your warp, you create an extra shed for plain weave by using heddles to pick up threads. By the time you’re ready to weave, you will have shed 1 and shed 2 or heddled and unheddled threads. Pretty simple!

The weave structure that you use on an inkle loom is warp faced plain weave. This means that, although you are weaving plain weave, you place your warp under very tight tension and beat each pick down hard with a belt shuttle so that the warp colours remain visible but the weft threads do not. The warp threads become very condensed together, forming a thick, tight fabric, or band.

Now I’m going to address some commonly asked questions about inkle loom weaving:

What do I get when I purchase an inkle loom?

Whichever brand of inkle you choose, it should come standard with certain pieces. Firstly, the loom itself, commonly made of strong wood and usually requiring some basic assembly, comes with a built in tensioning peg.

You should also receive a belt shuttle, a clamp (this gives you the option of clamping the loom to a table or similar) and an instruction booklet.

You may or may not receive some string heddles, but you will need these, so check before purchasing if they are included. Of course, you an always make your own with some tapestry warping thread or seine twine.

What can I make on an inkle loom?

An inkle loom is for weaving bands. What you can then use the bands for is up to your own imagination!

Some ideas are: key fobs, dog leads, shoelaces, bag handles, decorative trim for other craft or sewing projects, tabs to sew onto your handwoven towels to hang them, stitched together to make a larger project like a bag or purse, bracelets, lanyards, belts, guitar straps… lots of possibilities!

What width and length can I weave on an inkle loom?

I will talk about Ashford inkle looms, as that is what I own and know best. There are 2 sizes available:

Ashford Inkle loom. (just over $100USD)

This is the inkle loom that I have. You can warp it to a length of 110″ and achieve a weaving width of up to 3″.

Ashford Inklette loom (under $100USD)

This is a smaller alternative. You can warp up to a length of 72″ and a weaving width of 2″.

Why is an inkle loom a good option?

You may find the thought of an inkle loom limiting because you can only weave bands on it. However, there are so many variations for the actual bands possible that inkle weaving can keep you very busy for a very long time.

I’ve had my inkle for a few years and feel like I’ve only just scratched the surface. For example, last year I experimented with krokbragd on my inkle. I hear you saying “but you said an inkle is a 2 shaft loom!”

Indeed, it is, just like a rigid heddle loom is, but by doing pick up and adding extra heddles, we can make those extra shafts we need for more intricate patterns.

Weaving this krokbragd band was a fascinating exercise in taking a normally weft faced pattern draft and turning it to produce a warp faced pattern draft. And look at how gorgeous it is! If you want to know more about this project, I wrote a blog post about it here.

It is also such a light and portable loom. I like to sit in a recliner and weave on the inkle in the evenings while watching a movie with my family or chatting with someone. It’s small enough to take just about anywhere.

And of course, in the world of looms, this has to be one of the most affordable. Some weavers make their own, so make friends with google if that idea interests you.

Which yarns are best for inkle weaving?

I have mostly used 8/2 cotton. If you are familiar with me, you will know that I’m not a huge fan of mercerised cotton, aka Perle cotton, but for inkle weaving I have used it many times. It gives a lovely sheen to the bands.

I have also used unmercerised cotton a lot on my inkle. Both are perfect for the task. The colours of your band are all made in the warping process (remember, it’s a warp faced weave).

Here is a little tip – choose your weft colour according the colour of the edges of your warp, that way when you take the weft around the selvedges at the shed change, it will blend in nicely.

Where should I start?

The instruction booklet that comes with your inkle loom should help you a lot to get set up for your first project, however it won’t be long before you want to branch out and learn more. The best book that I have found on inkle weaving is Anne Dixon’s The Weaver’s Inkle Pattern Directory, which is extremely comprehensive and useful for both beginners and experienced levels.

Anne has over 400 patterns to try in all different styles and variations of difficulty. It’s quite an amazing book!

You will also find my Youtube series on weaving a floral inkle band invaluable, as it takes you right through from how to set up your loom to finishing your band after weaving. You will definitely want to check it out and be sure to watch all the videos so that you don’t miss any crucial steps:

You can download and print out this free floral pattern here:

Floral-band-inkle-pattern Download

Also, be sure to check out my article 7 Tips For Weaving on an Inkle Loom which includes yet another gorgeous and free downloadable pattern for you to weave on your inkle loom.

If you’re ready to get more serious about learning to weave on your inkle loom and also delve into tubular weaving, baltic pick up and all the tips and tricks, check out my online Inkle Weaving Course.

Inkle Weaving

Learn the fun and fascinating art of band weaving on your inkle loom!

3387 students enrolled

Last updated Oct 24th, 2024

Select a Pricing Plan

Inkle Weaving course$40

Buy now

I hope this article has peaked your interest in inkle weaving and helped you to see the many benefits of this little loom.

If you have any questions or comments, please leave them below, I love to hear from you (and it helps me to not feel like I’m talking to myself here 😆)

Until next time…

Happy Weaving!

How to make bread – my No Knead Whole Wheat Bread Recipe

by Kelly 25 Comments

I’ve been making home baked bread for my family for at least 15 years (yes, I supply ALL the bread, but I have helpers too!) I started baking our bread at home for a few reasons – curiosity, nutrition, economy and self sufficiency. It is the perfect time right now to learn how to bake bread at home.

The idea of knowing exactly what was going into our bread, the superior taste and the cheapness of making it has made baking our own a priority.

Around 4 years ago, I bought a Hawos Billy 100 grain mill after wanting one for 10 years (I’m very patient 😎). It sits out on the kitchen bench as it’s in constant use. The first time we set up the mill and ground some wheat, I tasted some on it’s own and was immediately hooked. I had bought commercial wholemeal flour from the supermarket, but grinding it fresh is really next level.

*This post contains affiliate links

I buy my wheat from Simply No Knead and have it delivered. If you’re in the U.S. and looking for some wheat to grind , you can get hard white wheat berries here. If you’re wondering about the differences between red and white wheat, check out this helpful article.

Milling our own grain is a huge blessing at this time when currently there is no commercial flour available to buy due to coronavirus related panic buying. I bulk buy my wheat in 20 kg bags and have plenty of it, I’m so thankful.

I’ve always wanted to share with you all how I make bread. Over the many years of baking for my family, I’ve devised my own methods to make the process faster, easier and more achievable. My methods are no knead, low mess, low ingredients and very straightforward. I’ve tweaked my methods to streamline the process and am very happy to share this with you!

Now, if you have flour and wish to use that, go ahead! This recipe is very adaptable and has the same basic components of flour, yeast, salt, water and oil. You can use white or wholemeal flour, or a combination, they all work. You may have to adjust your liquid amounts slightly, as wholemeal flour takes up more water.

If you prefer your bread on the sweet side, you may want to add in two tablespoons of cane sugar or two tablespoons of honey. I do this occasionally as an extra treat for the kids.

Then you will just need a large mixing bowl, a wooden spoon, 2 bread tins, and you’re ready to bake some delicious bread! If you are going to make bread a lot, you will want a good bread knife, it will take the headache out of slicing. My husband gifted me this Mundial Serrated Knife right at the beginning of my bread baking journey and I use it every single day. Alright, let’s check out the recipe!

Let’s just go over some measurements first so that we’re clear on amounts. If you don’t know how much grain to mill to get the required amount of flour, 5.5 cups of whole wheat grains grinds up to 7.5 cups of flour. This amount of grain and flour also equals 1 kilogram (2.2 pounds). 1 litre of water is equivalent to 1.05 quarts.

No Knead Wholewheat bread

Kelly

5 from 2 votes

Print Recipe Pin Recipe

Servings 2 loaves

Ingredients

7.5 cups Wholewheat flour (I use freshly milled)
1.5 tsp Instant dried yeast
2.5 tsp Salt
1 litre Warm water (Around 1 quart)
3 tbsp Sunflower oil

Instructions

Weigh and mill your whole wheat grain, if using. Otherwise, measure out your commercial wholewheat flour into a large bowl.
Add yeast and salt to flour and mix through with a wooden spoon.
Mix the warm water and oil together in a jug.
Make a well in the middle of your flour and pour all of the liquid in.
With a wooden spoon, mix gently to begin combining the wet and dry ingredients.
When the water is no longer "sloshy", use a chopping action with the wooden spoon to bring ingredients together. You want to eliminate any dry flour spots.
Once combined and completely wet, let the dough sit in the bowl for 3 – 5 minutes.
Using the folding technique shown in the video, fold the dough whilst turning the bowl slightly. Fold it around 5 times. Then allow dough to sit for 3 – 5 minutes again.
Repeat the folding technique 2 more times for a total of 3 times. You will notice the dough begin to change and become elastic.
Sprinkle with flour, cover with a cloth and allow to sit until approximately doubled. Depending on the temperature in your kitchen, this could be 1 – 2 hours. My dough took around an hour to double in a warmish kitchen.
Oil or flour your bench surface and tip the dough out. It will be stretchy and airy.
Fold the dough in on itself on each side. Cut in half with a sharp knife.
Shape the two pieces of dough into loaves according to the video instructions. Place in prepared loaf tins.
Sprinkle with flour and cover with cloths to rest for around 30 minutes. Begin to preheat your oven to 225 degrees celsius (437 farenheit).
Score your risen loaves with a sharp knife and place in the oven for 35 minutes.
Remove from the oven and tins and place on a cooling rack. Allow to cool completely before cutting open.

Did I tell you that this bread freezes well? I make up a batch of 4 loaves at a time, the maximum amount my oven will hold. I usually keep one loaf out for the next couple of days (if it lasts that long, often it does not) and put the rest in individual freezer bags, tie them up well and freeze until needed.

You will want to watch the video I’ve put together in order to learn the techniques I use, as these are crucial to the success of your loaves.

I hope you enjoy this recipe and bake some bread for your family! Please leave any questions in the comments section, let me know if you are going to give it a try, or if you already have. I’d love to hear from you!

Until next time…

Happy baking!

Van Gogh inspired freestyle tapestry!

by Kelly 4 Comments

It’s hard to know what to say about the present world situation. Strange. Unprecedented. Uncertain. At times, scary.

Many people throughout the world are in isolation or quarantine – some self imposed, others enforced. Countries in lockdown.

My mind can’t help thinking that it all feels very much like a suspense movie or novel. But no, this is the reality of 2020 and coronavirus for all of us. Strange times indeed!

Beyond the feeling of bewilderment though, is one of hope and unique opportunity. We may be isolated in our homes, but we live in the age of the internet, where it easy to stay connected to others and share burdens. Many people have more time than they usually would, to explore interests and hobbies. My Youtube channel and Online Weaving School are great places to be right now!

With that in mind, I have a new Youtube project that is long, slow and relaxing. We could all use a bit of that right now!

The project is inspired by the wonderful Van Gogh painting, The Starry Night. I have long admired this art work for it’s colours, movement and mood. I thought it would translate really well to a tapestry, not as a replica but as inspiration.

I thought this would be a great, calming project because it is adaptable, doesn’t require much planning, is relaxing and free flowing. Oh, and the idea is to use stash yarns so you don’t need to go out to buy more!

All the materials plus the warp calculations are provided in this printable PDF-

Van-Gogh-inspired-tapestry Download

Some of my stash yarns included wool, cotton, silk, acrylic and handspun, tencel and metallic. Weights included 8/2, lace weight, fingering, light worsted/dk and aran. My favourite weight ended up being the fingering.

The video/s are mostly in real time, something I have not done before. It means long videos, but I was figuring some people might appreciate sitting and weaving with me at this time – step by step and no hurry. And I know how some of you love to know all the details.

Begin with video one, which explains my aims for the tapestry and shows you the yarns I used:

Some additional resources that are relevant and helpful are:

My first freestyle tapestry series for Youtube –

You may be interested in my online course, Tapestry on a Rigid Heddle Loom to learn traditional tapestry techniques.

Then there is my review of the Mirrix Big Sister Tapestry Loom –

And my Tapestry Necklace project –

Which weight of yarn do I choose?

by Kelly 11 Comments

For newer weavers, yarn choice has to be one of the biggest conundrums. We are totally spoilt for choice when it comes to variety of yarns available these days, but there are some important aspects to consider before you start shopping.

I often recommend that newer weavers start out by using knitting yarns. There are a couple of reasons for this.

Knitting yarn is readily available.
It is usually economical.
Many new weavers have a knitting background and therefore will often have a healthy stash of yarn!
Knitting yarn often has a nice amount of elasticity and are therefore quite forgiving to work with.
And finally, it’s usually thicker than weaving yarn, so for first projects it is an excellent choice – it will make your warping and weaving faster and easier.

*This post contains affiliate links. For more information, please see my disclosure policy.

When you purchase a weaving specific yarn online or in a shop, the recommended sett for that yarn will often be provided. Not so with knitting yarns, which tend to come with knitting needle or crochet hook recommendations instead. But, this is no problem to the savvy weaver who knows how to figure out the sett for her/himself! All you need is your chosen yarn and an inch ruler.

If you’re not familiar with the concept of sett in weaving, I explain it in this video:

And if you need an easy demonstration of how to figure out the sett for your chosen yarn, I recommend this video:

The demonstration in this video refers to balanced plain weave, the twill equation is a little different.

The next consideration after you have figured out the ideal sett is what you’re actually weaving. A scarf, for example may require a different approach to a table runner or placemat, even if you’re using the same yarn.

Let me give an example:

Say I have a light worsted weight (Australian 8 ply, DK) cotton that is lovely and soft. Say that I’ve done my wrap test to determine the sett and it showed me that my 7.5 heddle/reed is the best option. I go ahead with this sett because I want a soft and slightly flow-ey scarf.

I like the yarn so much that I decide to also use it for a table runner. But I want my table runner to have a firmer feel, so that it stays put on the table and is somewhat solid. Given my experience with weaving the scarf at a sett of 7.5, I decide that I’m going to use my 10 dent heddle/reed for the runner, as it will ensure that my warp and weft interlacement is closer than it was with the scarf, giving me a firmer fabric.

Here is a little tip when selecting a yarn for a woven piece you intend to wear eg. a scarf. Hold the yarn to your cheek and lightly rub back and forth. If the yarn feels scratchy or unpleasant to your skin, it will not be suitable to wear. If the shopkeeper and patrons are knitters, crocheters or weavers, they will understand what you’re doing. If not, you may get some odd stares!!

There is another, basic test you can perform if you’re unsure of yarn to heddle/reed suitability.

That is to grab your yarn and thread a single of it through a slot. If the yarn doesn’t fit through the slot, it is too thick. If it doesn’t fit, but you have to encourage it to get through, it is likely too thick. If you rub the yarn up and down in the heddle/reed and it seems a bit squashed, it is likely too thick.

Remember that your yarn has to deal with that friction for the entirety of your project, so if there is too much friction you increase the likelihood of broken warp threads and a less than comfortable weaving experience.

Likewise, if you thread your yarn through a slot and there is a heap of space leftover and your yarn seems very loose in the slot, it may not be the right heddle/reed for your project. Unless of course you are trying to achieve an open and airy fabric!

So, what if you don’t have a heddle/reed that is the equivalent sett for your yarn?

This can happen when using a finer yarn. The finest heddle/reed currently available for a rigid heddle loom is a 15 dent. But the recommended sett for my yarn is 30. Well, you can simply double your ends to achieve the right sett.

Then you have the choice for the weft, if using the same weight of yarn as warp, whether you double the weft as well or not. And this choice comes back once again to the purpose of the project and the type of fabric desired. Which brings me to sampling.

I used to think that sampling was a big waste of time. I’m not sure at what point I became a sampling convert, but it was probably somewhere in the throws of another project that did not turn out as anticipated.

Sampling is an absolutely failsafe method to guarantee the success of your project. It allows you to try the yarn at a particular sett, in particular colours, experiment with weft density, take the project off and wet finish. So, you get a mini glimpse of what your actual project will look like. It’s a very valuable education tool!

There is a lot to cover when it comes to the topic of yarns and this post really only scratches the surface.

If you found this post interesting and want to delve further into choosing yarns and understanding all the numbers, I have an online class that could be just the ticket. This is a short and sweet class that includes PDF charts for selecting the correct heddle/reed for your project and converting yarn terms for different countries.

You can purchase the class by following this link.

I have some other yarn related resources that will be helpful too.

The Weaver’s Toolkit is an ebooklet that includes all kinds of useful charts and information that are invaluable to the weaver.

I also have an “All about Yarn” playlist on Youtube, which includes 11 free videos:

I hope this post has been helpful to you, and as always, comments and questions are welcome.

Until next time…

Happy Weaving!

Stashbuster Woven Notebook Covers

by Kelly 9 Comments

Otherwise known as “the project that began with a messy drawer”.

This is the yarn drawer that my girls have access to. I could use this photo opportunity to blame it all on them, but if we’re being truthful, I’m pretty messy myself!

*This post contains some affiliate links

Anyway, this mess inspired me to make something, so it’s not all negative. A lot of my yarn stash is smaller pieces leftover from warping or are thrums (what is left on the loom when you cut your piece off) and can be difficult to find uses for.

Perfect for the idea that struck me, and it’s also a great project for little loom weavers, as it can be done on a Sampleit.

I had to break this into a series of 3 videos, you can either view them on Youtube or my Online Weaving School. You can download the printable PDF from my weaving school or view the information here:

Notebook Essential Information

I thought it might be a great time of year to do a tutorial for all my followers and students as a thank you for your support. The bonus is that you can make lots of notebook covers as Christmas gifts, they don’t take much yarn and they are quick to weave up.

The only part of the project that you need a longer length of yarn for is the warp. Here are some suggestions for your warp:

Bendigo Woollen Mills Luxury 8ply

Cleckheaton Country 8 ply

Patons Classic dk superwash

I always use Gutermann Sew all thread because it is so strong and multi purpose.

During the video series, you will notice that I mention some other helpful links, I will list them here for easy access:

Clasped weft tutorial

Woe to Go – Beginner Rigid Heddle Weaving

How to weave neat edges

I really hope you enjoy this project! Let me know in the comments if you intend to give it a go.

One more thing! If you like this project I would really appreciate you sharing links with your friends or on social media so that even more weavers can benefit.

Until next time…

Happy Weaving!

Help! My edges are wonky!!

by Kelly 12 Comments

The single biggest focus I’ve noticed that new weavers have is achieving straight edges. And not without reason. Let’s face it, how neat and professional a woven scarf looks depends a great deal on whether the edges are straight and attractive.

Let me start out by saying that I think there is maybe a little too much focus on the edges. I see so many newbies lamenting their weaving because the edges are not perfect. It would be a pretty rare event for a first time weaver to achieve near perfect edges. For most weavers, the problem improves very quickly with a bit of practice and knowledge of a few handy techniques.

There are some essentials to achieving neat edges.

Correct warp tension
Correct weft tension

Let’s talk about the warp tension first. Something that is quite common is that the weaver finds the tension is uneven across the warp, and typically the middle of the warp will be looser while the edge warp threads are tighter. If the edge warp threads are either too loose or too tight, the woven edges will be uneven and lumpy looking.

Combatting this problem begins when you are rolling the warp onto your loom. I’m referring here to direct warping a rigid heddle loom. If possible, have a helper to hold the end of the warp while you stand at the back of the loom and roll it on. The helper maintains the tension and makes the process easier. If you don’t have a helper, you can either weight the warp as it is rolled on or, if you are more experienced, hold the warp yourself but pay particular attention to maintaining even tension.

Then, when you come to tying or lashing the warp ends onto the front apron rod, ensure you have as consistent as possible tension across the width of the warp. I always say at this point, it doesn’t have to be tight – just consistent. The warp will tighten up when you advance the warp.

If all of this feels a bit advanced to you, I’m sure you would benefit immensely from my From Woe to Go – Beginner Rigid Heddle Weaving course.

Now, about the weft tension. This refers to how much tension you place on your weft thread as you weave it. Too much tension, and your edges will pull in. Too little tension and you will have loose loops sitting at the edges of your weaving. Neither of these are ideal. Over time, I’ve developed my own technique that I think is just about a perfect balance and that consistently gives me very neat edges. You can view the video for that here:

So far I’ve only been referring to edge maintenance for plain weave projects. If you are doing something with pick up sticks (which changes the weave structure) you will need a slightly different approach to neat edges and I talk about that in this post. There is also a companion video so that you can see the technique in action:

Floating selvedges are also an option and basically means that you add an extra end on either side of your warp that is not actually part of your warp, but becomes part of the finished weaving. I always use floating selvedges on my floor loom unless I’m weaving plain weave and it makes a huge difference. I have a member’s only class on how to set up floating selvedges over at my Online Weaving School.

Another instance where you may employ a different technique for your edges is when you are using more than one weft colour and need to decide whether you will cutting each time you change colour or whether you will carry the yarn up the sides. I also have a video demonstration of how to do that!

Another trick to try is to arrange your threading so that both of your edge warp threads are threaded in holes instead of one in a hole and one in a slot. The aim of this technique is to match the tension of the edge threads on both sides for more consistent looking edges.

I have a video tutorial on this method to show you exactly what to do:

And lastly, yet another technique to try (I told you it’s a popular topic!) is what I call my Lifeline technique. This works in a similar way to floating selvedges, except that you use fishing line and remove it when the weaving is finished. I have heard from a lot of happy weavers who say this techniques saved their project. Here is the video demonstration:

I hope this discussion has been a great help to you. Do you struggle with weaving neat edges? Let me know in the comments.

Until next time…

Happy Weaving!

Winter Trees Scarf

by Kelly 1 Comment

The lovely Robyn from Yarn Cloud in Occoquan, Virginia recently put together a project based on my very popular Winter Trees video on Youtube.

Robyn had the idea of teaching her students how to utilise the pattern and weave it into a scarf. What a terrific idea and so timely for those of you who are approaching Winter at this time of year.

Robyn has been generous enough to offer to share all her pattern notes and instructions with my readers here! She also sent me the samples in the photo above to give you all a visual reference.

You can download and print the instructions here:

Winter Trees Scarf Download

And use the instructional video for visual help:

Many thanks to Robyn for sharing her pattern!

If you are interested in taking a real life class at Yarn Cloud, pop over and check out the classes page for more details. Knitting classes are also available.

Yarn Cloud is a fibre arts supplies store located in a richly historical town in the beautiful state of Virginia. It looks like a wonderful place to visit and pick up some supplies, or stay a little longer to enjoy a class or workshop!

Be sure to let us know if you make a scarf using these instructions, Robyn and I would both love to see your project!

Until next time…

Happy Weaving!

How to twist a fringe

by Kelly 2 Comments

A twisted fringe is a beautiful way to finish off a hand woven piece. The first time I twisted a fringe of a scarf I felt like my weaving had entered a whole new level!

A twisted fringe looks professional and prevents your fringe from becoming straggly over time.

Twisting your fringe occurs BEFORE wet finishing to allow the twist to set properly in the washing process.

If you are considering a twisted fringe, you will need to calculate this into your warp. It’s easy to do, using a warp calculations sheet. I have a free one here that you can download and print as many times as you need to.

*This post contains affiliate links. This means that if you click on a link and purchase, I receive a small commission at no extra cost to you.

In your fringe allowance calculations, make sure you also allow for the shrinkage that will occur once your fringe is wet finished and twisted.

You will want to trim your fringes before twisting to ensure they are all the same length. To do this, fold the scarf is half so that hems are aligned and trim fringes to the same length using sharp scissors or a rotary cutter and self healing mat.

Lay one end of your item on a flat surface and place a heavy book on it so that the item doesn’t move around. Your fringes need to be secured somehow – either with hemstitching, as I have done or with knots.

There are a few different options for fringe twisters. Mine is a Le Clerc and I’m very happy with it and have used it for years. Ashford also make them. If you’ve ever twisted fringes by hand, you will really appreciate how much faster a fringe twister makes the job!

Fringe twisting is quite addictive and I find that the majority of my fringed pieces are twisted these days, it just looks so good!

For the full video tutorial and demonstration, check out my Youtube channel.

If you’re curious about the scarf in the video, it’s my best selling Garden Path Scarf in Sea Blue. The pattern is available as a digital download in my Etsy shop or as a kit in a variety of colours (more colours being added soon!) Colour requests are welcome.

Thanks for reading, watching and commenting. Be sure to leave any questions you may have in the comments section below.

Until next time…

Happy Weaving!

Tote Weave Along, Lesson 10 (Final)

by Kelly Leave a Comment

Thank you for joining me in this series, it’s been terrific to have you following along, and hopefully by the end of this lesson you will have a beautiful, functional bag to use or gift.

If you missed the last lesson, you can check it out here.

This post contains affiliate links, which means that if you click and purchase, I make a small commission at no extra cost to you.

Last time we pinned the bag and lining together. Now we need to take the bag to the sewing machine.

At your sewing machine, sew right around the top of the bag with a straight stitch, removing pins as you go. I usually aim for a 1/4 to 1/2″ seam. This will sandwich together the lining, outer bag and handles together.

Trim the ends of the handles if needed. If your seam allowance is rough or wide, you can trim that too, for a neater finish. If you do trim, make sure to secure the raw edge with zig zag on your sewing machine or using your serger.

Give the bag a good press with a hot iron, paying particular attention to the top seams you just sewed.

You will recall that when sewing the lining pieces together, we left a gap along the bottom seam. This is where that little feature comes in as highly important!

Placing your hand inside the gap, begin to slowly and gently work the outer bag through the lining hole. As you do this, the lining will naturally start to turn inside out – this is what we want!

When the lining is fully turned out, give the seams where the lining and outer bag meet a good press, helping to flatten down the layers of seam and giving a much neater finish.

Next we need to stitch the gap in the lining closed, otherwise you will have a hole in the inside bottom of your bag! You can either hand stitch or machine stitch, just make sure that all raw edges are turned inwards.

Grab the end of the lining and push and tuck it to the inside of the bag. Take a bit of extra time to arrange the lining so that it sits flat inside and is sitting in the same shape as the outer bag with no bunchy bits. Pay particular attention to the corners, and poke the lining into them with your fingers.

Once you’re satisfied with the positioning of the lining, press the whole bag once again, slipping the iron inside the bag to flatten the lining. It can be helpful to slip the open end of the bag over the end of the ironing board to ensure the lining is sitting properly at the top.

The final step is optional. You can top sew around the very top edge of the bag, using a matching thread. This will help to secure the lining in place and stop it from moving back out of the bag. It also looks nice. But, you decide.

So, that’s it!

How did your bag turn out? Please let me know if you have made one, and of course, I always love to see photos.

Until next time…

Happy Weaving!