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3 Yarns Beginner Weavers should NEVER use!

by Kelly 61 Comments

Choosing the right yarn for the right project can be a huge conundrum for newer weavers. There are so many yarn choices for weaving that it can be very confusing to know where to start.

If you want to know more about the basics of choosing yarns when you’re just starting out, you will want to read this post which includes a couple of super helpful videos where I walk you through some of my stash and the ways I’ve used certain yarns in my weaving.

I usually recommend specific yarns for new weavers to try, based on my experience with which yarns are the most economical, easy going and likely to give consistent, more predictable results.

This post contains affiliate links

But today, I’m going to do the opposite. I’m going to talk about the yarns that a new weaver should not use, and even go so far as to say that a newer weaver should NEVER use these yarns to begin with!

Pretty extreme, huh? Trust me, you will thank me for it!

So, how do I know about these three particular yarns that should be locked up and kept in a closet marked with NO GO – NEW WEAVERS NOT PERMITTED?

Because I hear about it all the time! The anguish of a new weaver who unwittingly picked a yarn that “looked pretty” and now is in a terrible anguish, caught in the balance between the idea of cutting the project off the loom prematurely or giving up on weaving altogether because it “doesn’t seem like my thing“.

Friends, it does not have to come to that and I am here to tell you how!

There are three yarns that you should avoid at all cost. Not forever, just to begin with. Later, you will have the experience, know how and possibly patience to deal with these yarns, but to begin with you want to keep it as simple and achievable as possible.

Think of your beginning weeks, months, or however long it takes (remember we all learn at a different pace and that is absolutely fine and normal. If you have any qualms on this note, please take the time to watch the video on Slow Learning down below).

The first few projects at least should be devoted to getting to know your loom. It’s like a honeymoon period, hopefully a happy one! But, if you think of your beginning stages in this way, as the learning phase, it won’t matter so much if you don’t always get amazing results as you will be learning what you need to know.

You’re probably itching to know what these three avoidable yarns are. I won’t keep you in suspense any longer.

  1. Mohair.

I’ve put this one at the top of the list for a reason. Don’t use it if you’re a beginner. I can’t be much more blatant than that. Just don’t do it. You will be sorry.

Meet Anna. Why do I have a random doll included in this post? I’ll explain. I made this doll for youngest daughter’s first birthday present, almost 10 years ago. She has stood the test of time pretty well, but is in need of a wig refurbishment. At the time, I was a dollmaker and sold my dolls on Etsy. I made the dolls from all natural materials, so their skin was a lovely soft cotton, they were stuffed with clean, carded wool and I would often use mohair to make wigs or hair. By the way, if you’re interested in a 10 year old tutorial on making a doll similar to this one, I have a two part tutorial here.

The point is, I used to have a huge stock of mohair but have used it all up in dollmaking. So instead of showing you a ball of mohair, I’m going to show you the back of the doll’s head to help illustrate why you should not use mohair as a beginner weaver.

Check out that fluff. Yes, mohair is uber fluffy! See that halo? (This is going to become a recurring theme!) Mohair sticks to itself. Very much. You carefully warp your loom and begin weaving, only to find that you don’t seem to be a able to get a clear shed. Sound familiar? Every. Single. Time. You change sheds, the warp threads stick to each other and you wonder how on earth you are supposed to get your stick shuttle through an either non existent or at the least, very messy shed. It doesn’t make for a fun weaving experience.

2. Fine, rigid threads.

By this I mean a weaving thread like an 8/2 cotton. These types of yarns will usually be sold on a cone rather than in a ball or skein.

Why do I think they’re a bad idea for beginner weavers? Firstly, they will have little to no elasticity. This is a problem for newbies (ahem, and veterans!) because they are difficult to warp with the correct and consistent tension. Which can be really frustrating. Especially on a rigid heddle loom where you can’t achieve as firm a tension as you can on a floor loom. When you’re not familiar with these types of yarn or don’t have much general weaving experience, you don’t want a yarn that won’t stretch a little. Yarns with elasticity (like, say a dk or light worsted wool) are so much easier to warp and work with. They will stretch out and contract back nicely on the loom and for that reason I call them very “forgiving” yarns. They help rather than hinder your warping and weaving process. They will be your newbie friends. The inelastic, thinner yarns can be your friends later.

The second point about these yarns is that they are thin. Which means they take longer to warp. Then they take longer to weave. When you’re just starting out you really want to choose shorter, approachable projects that don’t feel like a year long commitment to finish one item. Thicker yarns will be a huge help in this respect. They weave up quickly and with less problems.

3. Luxury Yarns

There are plenty of yarns that come under this category so I will point out a few specifics.

Baby alpaca is a gorgeous, sumptuous yarn. No, it doesn’t come from actual baby alpacas, it is classed and graded as a very fine fibre, and is extremely soft, hence the name. It also has a halo. It’s not fluffy in the same way that mohair is, and it’s not as difficult to weave with. But yes, it will still be a pesky, sticky yarn to weave.

The exact same rule applies here to Angora, possum and some cashmere fibres. Once again, save their scrumptiousness for a little later on.

Ah, silk, beautiful, shiny, luscious silk. I love weaving with it. Now. I didn’t attempt weaving with it until I had a lot of experience under my belt. I mean, have you seen how expensive silk yarn is? 😲 I knew I didn’t want to make that investment unless it was for something really special that I was ready for. Also, the fineness of the 60/2 silk above (similar to sewing thread in thickness) makes it doubly unsuitable for newbies.

Luxury yarns are just that – a luxury. Which means they will have a price tag to match. I’ve heard some newbie weavers say that they couldn’t resist a luxury yarn for their first project. I understand that your first project is a special one, but you need to be a realist about it too. Weaving is a learning curve. Skills like weaving neat edges and achieving good tension take time and are not likely to be perfected in your first project. You are really feeling your way with your first project. If you add the stress of having to make something nice with your very expensive luxury yarn on to the experience of learning to actually use your new loom, it will often be a recipe for disaster.

Let me put it this way: I’ve never heard a new weaver regret that they used inexpensive yarn for their first project. But I’ve had many, many, many messages from people in distress that things are not going according to plan and they spent so much money on the yarn. Save yourself the stress and start out with an inexpensive, light worsted/dk/Aussie 8ply wool.

Now, if I could only find a way to get this message to every new weaver in the world, I think there might be a lot more happy weavers out there.

This post is also available in video format-

So, time to fess up. Have you had a less than positive beginner experiences with one of these three yarns? Let me (and everybody else, just in case someone needs more convincing!) know about it in the comments.

Until next time…

Happy Weaving!

Filed Under: Rigid heddle weaving, Tutorials, Weaving, Yarn Tagged With: beginner weaver, newbie, no go zone, three yarns, weaving yarn, yarn

10 Tips to improve your weaving today

by Kelly 19 Comments

Learning to weave is a real journey and it takes time. There is no magic potion or secret ingredient to becoming a better weaver. It takes persistence, time and dedication.

I’ve written a post addressing these facts already – 5 Steps to Successful Weaving, but today I want to give you some short and simple tips that you can do today to improve your weaving.

*This post contains affiliate links

Let’s launch right in!

  1. Don’t run before you walk.

It’s easy to look too far ahead in your enthusiasm. Enthusiasm is great, in fact, it’s essential, but don’t let it blind you. Start at the level you’re at and work your way up. If you choose something too difficult for your weaving level, you may be setting yourself up for frustration.

2. Don’t choose the best yarn for your first project

The temptation of a gorgeous yarn with a big price tag is real. A beautiful yarn can be the perfect inspiration for a new project. But not as a beginner. And not until you’re confident that the picture you have in your head of your next project is likely to turn out how you want it to. Once again, the frustration will kick in if all doesn’t go as smoothly as you hoped. You have the extra pressure of the yarn price tag hanging over you. Keep the fabulous yarn for when you’re ready.

3. Begin with yarns that have some elasticity

It just makes beginner weaving life so much easier. A yarn with some elasticity (a woollen knitting yarn is perfect) will stretch just enough and is so forgiving that you should not have real issues with tension. Rigid yarns eg. cotton is much harder to tension on a rigid heddle loom. Wool, on the other hand, works with you, rather than you feeling like you’re working with (or for) it.

4. Start with thicker yarns – knitting yarns are perfect.

A thicker yarn (I recommend a light worsted/dk/ Aussie 8 ply) is great to begin with for a couple of reasons. The thickness is usually the perfect match for your standard 7.5 – 8 dent heddle/reed that came with your loom. So, no need to purchase extra sized heddle/reeds right away. It also weaves up much faster, and I think it’s important to make your first few projects very achievable and not be a massive time commitment. This will make you feel better about tackling the next project.

5. Commit regular time intervals to learning by doing

If your loom sits in a cupboard or your garage, guess what? You’re not going to learn how to weave. You’re not going to improve. And you will probably feel bad about it. If you are a busy person (let’s face it, who isn’t?!) then you may even find it beneficial to plan and schedule your weaving time so that it’s enough of a priority that you will weave regularly. I’m of the opinion that it is more beneficial to your learning journey to weave little and often than a big chunk of time occasionally. You’re training your brain to do new things, so consistency is important! Also, if you can have a dedicated space or at least not have to completely pack up everything after every weave session, that will be a great help and motivator.

6. Expect little – you might surprise yourself.

Hope for the best, but don’t place unrealistic expectations on yourself. Learning new skills takes time and patience, there is no way around that. Yes, some will learn quickly and some will take longer and that’s completely normal. If you haven’t seen my Slow Learning video, you should check it out:

7. Record your project information

You’re not being your own best weaving friend if you don’t take the time to record information from your projects to refer back to. You may think you will remember all the details, but chances are you won’t. I learned early on to write things down before, during and after my project. It is so worse the time. It helps you to not repeat annoying mistakes but also allows you to repeat the things that were desirable. My Weaver’s Toolkit downloadable e-booklet is a great help for recording purposes, it includes warping and weaving calculations sheets plus a project record sheet.

8. Sample.

It took me a while to become a true sampling convert. I do it often now. It’s a guaranteed way to know that your project will turn out well. You have to invest a little yarn and time, but it is very satisfying beginning a project with that kind of confidence.

9. Find the right resources for you.

If you need help, find help. The kind of help will be different depending on your needs. You may find weaving books really helpful, (check out my Amazon shop for my favourites) you may want to access some online lessons, or you may be lucky enough to either live near to face to face classes or know someone who weaves already.

10. There is almost always a fix

If you mess up, it’s not the end of the world! Most mistakes can be rectified. You may need to find extra resources when you encounter a problem but that is a positive part of your learning process. I always say that if I hadn’t made so many mistakes I wouldn’t have learned as much as I have. Make sure you’re subscribed to my Youtube channel where I have many, many videos that can help you out of a tricky situation.

11. Do not use sticky yarns if you are a beginner. I repeat, Do not use sticky yarns if you are a beginner!

I know, I said “10 tips” and this is number 11. But I must make this point, it’s that important.

Please! Just don’t do it!! You wouldn’t believe the number of emails I get from students stuck (pun intended) in their project because of a sticky yarn that won’t let them get a clear shed and causes all kinds of angst and hair tearing activity. Even bad language, so I’ve heard.

So, just don’t do it. No fluffy, sticky yarns (just forget all about that mohair for now). Save the stickies for later (if you really want to – I just generally prefer to avoid them!) and plan the project carefully.

If you need more information on choosing appropriate yarns, check out these other articles I’ve written on the topic:

Choosing and Using Yarns in Weaving…

3 Yarns Beginner Weavers should NEVER use!…

What is Superwash Woollen Yarn?…

I hope these tips are useful to you! If you have any questions, please leave me a comment, I love to hear from you.

Until next time…

Happy Weaving!

Filed Under: Inspiration, Online Weaving School, Rigid heddle weaving, Weaving Tagged With: how to weave, learn to weave, rigid heddle weaving, weaving tips

How to deal with warp colour changes

by Kelly 34 Comments

Changing colours in your warp allows you to jazz up your weaving, even if it’s a plain weave project. In this article, I’m going to troubleshoot some of the issues that may arise when you want a colourful or stripey warp when direct warping your rigid heddle loom.

*This post contains affiliate links

I’m specifically speaking to rigid heddle weavers who choose to direct warp today, as these issues either don’t occur or are more simply dealt with when using a warping board, or indirect warping.

The two main issues I want to discuss today are how to most effectively deal with a warp that has a lot of colour changes and what to do when your ends are uneven in number.

If you’re not sure of the difference between direct and indirect warping, I’ll briefly explain.

Direct warping your rigid heddle loom involves tying your yarn end onto the apron rod at the back of the loom, taking the yarn through a slot, around a wooden warping peg that is clamped at the desired distance of the warp away, back through the same slot and around the apron rod again. The process then repeats.

In this photo I’m warping a wider warp and am using 2 x pegs in order to spread the warp more evenly and achieve better tension.

I personally love the direct warping method for my rigid heddle loom because it is such a quick and easy process.

Indirect warping is when you make your warp away from the loom, usually on a warping board or warping mill. You then transfer and “dress” the loom with the warp. It takes longer to warp away from the loom, but is necessary for floor and table looms.

If you’re interested in seeing a warping board in action, check out this video:

Let’s talk about the first topic I mentioned, the use of multiple colours in a direct warp. When you want to make a warp with stripes, you will need to warp sections of colour. This usually involves repeating sections of colour in a sequence, so even though you’re changing colours frequently, you are often coming back to a colour you’ve already used. Many weavers ask me the best way to do this – change warp colours frequently.

There are several options.

  1. Tie the colours as you need them on to the apron rod, go through the direct warping process, tie on new colours as you need them but don’t cut them off when you’ve finished with one section. Then when you need to repeat a colour, you pick it up where it was last used and continue on.

2. Tie on each colour to the apron rod and then cut and tie it off on the apron rod when you’ve finished that section. Tie on the new colour to the apron rod, then tie off again when finished with that colour. Continue on across the warp.

3. Tie on to the apron rod and begin to warp, when you need to change colours cut the existing colour close to the apron rod and tie on the new yarn to the old yarn, making a firm knot. This way your thread is continuous even though you are changing colours.

I’ll share which is my favourite option and why. Number 2, wins for me, hands down. Some people are surprised to hear this and wonder why I would take the extra time to do all that cutting and tying on rather than choose to run continuous threads.

It’s a fair question and some are still not convinced when I give my reasons, but that’s ok, we’re all different in our preferences and I encourage you to do what suits you the best.

There are two main reasons why I like the tie on/ tie off method. No crossed threads. I don’t like crossed threads behind my heddle. They are messy and can cause issues like holding some threads down when they should be up and messing up my tension by crossing over the back beam in a higgledy piggledy manner – not my style at all! I can’t even show you a photo of what this looks like, as you will never see it on my loom. The second issue, as I mentioned, is the tension – I believe that my tension is compromised when those warp threads are all over the place at the back beam.

Having said all of that, there is one instance where I would consider using method one – if my colour repeats were extremely short. For example, if I was alternating between two colours every 2 ends, then I would look to decrease my warping time by continuous warping.

But I have found that most of my warps have been larger blocks of colour than that, so I always tie on/ tie off.

A perfect example where my favourite method is employed is in my Log Cabin Table Runner class. Yes, there is a lot of tying and cutting, but look at that tension! Another great example where I use the same technique is my free Wash Your Hands Towels project. I’ll readily admit that this method takes a great deal of extra time, but I also declare that the results are worth the trouble. Perhaps it’s because I’m also a floor loom weaver, and dressing the loom takes a really long time, that using the cut and tie method doesn’t feel excessively long to me. I always say to my students that extra time spent in getting a warp right is never time wasted – it will save you time later with mistakes or hiccups and you will be more pleased with the end results. Each tied section on the apron rod is like it’s own little warp with it’s own individual tension. When you come to wind them on as a whole, the tension is quite beautiful! All of those knots are on the apron rod and won’t move or affect your weaving as you advance the warp.

I didn’t tell you my thoughts on method three. I can speak from experience that it’s less than ideal. Firstly, the knots can slip or come apart, yes, even if you do them tightly. If your yarn is even slightly slippery (as in a soft cotton) you will likely have trouble. Secondly, tying yarn pieces together is more fiddly, in my opinion than tying on and off the apron rod. So, although I’ve tried this option, I now avoid it.

Now let’s discuss the second issue that frequently crops up when direct warping your rigid heddle loom, and that is what to do when your ends are uneven in number.

Sometimes you will come across a pattern or warping chart for your rigid heddle loom that may look something like the following colour sequence:

Blue – 12 ends

White – 8 ends

Red – 11 ends

White – 8 ends

Blue – 12 ends

Repeat from the beginning until you have _____ (however many ends the project calls for) ends.

It all looks good until you come to the “red – 11 ends”. 11 is an uneven number and it means that you can’t just make a loop of your thread for the last end, because then you would have 12 ends instead of the 11. Make sense?

The easiest way to get around this problem when direct warping your RHL is to not warp uneven numbers of ends! If you are designing the warp yourself, just ensure that every warp number is even so that you can loop every single thread. It might mean a little mathematical adjustment here and there, but it’s not hard and only requires basic math to figure out (I don’t say this lightly, you’re talking to a mathematics hater here!)

But what if you’re using somebody else’s patterns or instructions (by the way, you will notice that none of my patterns or classes have odd numbered ends 😉). Many patterns might be written for indirect warping, hence the odd numbers. Well, you can still adjust that pattern to custom fit it to your requirements without too much trouble.

Going back to my example colour sequence above, it would be a simple matter of rounding the “11” for red down to 10 or up to 12. Yes, you will have to rejig your initial pattern a little to allow for extra or less ends, but as I said, it’s not all that difficult.

But, if you really want to stick to the original pattern with the odd ends, there is something else you can do with your direct warp. If you warp the single colour end by itself, you will have trouble when it comes time to thread the holes. The hole thread will be missing in the place where you only took that single thread through the slot! This means that you have to use the thread from the slot, then shuffle over other threads in order to make sure all the holes and slots are threaded, thus reducing your warp size and possibly messing up your pattern if it’s meant to be threaded in a particular order. There is another way, but it has it’s own set of problems.

You take your single thread (say we’re doing the red and it’s thread 11) to the warping peg through the slot as normal. When you get to the peg, you cut the thread, leaving some spare to go around the peg and tie off. Tying off loosely with a gap is preferred, so that it comes off the peg easily when you want to wind on the warp. Then, instead of going straight back to the loom, you tie the next colour on to the peg. Following our example, that would be white. Take the white back through the same slot that the red was brought through, then back around the apron rod.

Hold up, what’s the problem with that? Well, if we take the white back from the peg, it then becomes a single. We need 8 ends of white, but now we’re going to end up with uneveness again! Further mathematical adjustments would be required or the warp will not be the width you planned for in initial calculations and once again, the pattern may be off.

You see what I mean? Isn’t it just way more simple to even out all of those numbers and save yourself a big headache? I surely think so, but if you have a different opinion or another workaround for the issue, I’d love for you to set me right by leaving me a comment 😄

OK, weavers, I think that’s quite enough for today, I hope I’ve helped rather than boggled your minds with all this!

If you haven’t already, you may want to check out my Online Weaving School, where there are many classes or memberships to choose from and catering to all different weaving levels. You will also find a range of digital download PDF weaving patterns in my Etsy Shop.

Maybe I should aim for a brief and easy going post next time!

Until then…

Happy Weaving!

Filed Under: Free tutorial, Online Weaving School, Rigid heddle weaving, Weaving Tagged With: color changes, rigid heddle weaving, stripes, warping

Hand woven fabric Yo- Yo tutorial

by Kelly 8 Comments

Many hand weavers these days are keen to sew finished pieces, particularly clothing from their hand woven fabric. This is a wonderful development for any weaving journey, as sewing opens up a vast amount of finished objects the weaver can make.

One side effect of all the sewing with hand woven fabric that is starting to happen is that there will be inevitable leftovers. Sewing, particularly clothing usually requires cutting shapes out of your hand woven, meaning that you will have smaller pieces of “waste” fabric leftover. I say “waste” but it’s only waste if you waste it!

*This post contains affiliate links

There are some fun and exciting projects that can be made even with very small pieces of hand woven fabric. One of these is the lovely Suffolk Puff or as it may be more commonly known these days, especially in America, as the Yo-Yo.

What is a fabric Yo-Yo? It’s a small, gathered circle of fabric, usually covered in the middle by a button or similar. They have been around for quite some time, seemingly dating back as far as the early 1600’s in Suffolk, England.

Suffolk Puffs were made from old clothing, quilts, bed sheets and so on, and given new life when joined together as quilts and cushion covers.

The idea is to gather a small circle of fabric at the outer edge with a running stitch. When gathered, the circle forms a sweet little “puff” that can then either be topped with another, smaller puff or a button can be sewn into the centre.

With the finished YoYo you can embellish clothing or bags, sew many of them together as in the days of old, hot glue them on to hair accessories (I’ve done this a lot for my 3 girls) or sew on a brooch backing and wear it as a one of a kind brooch.

Let’s begin with what you will need to sew a YoYo similar to mine.

*A 5 x 5″ square of handwoven (or commercial) fabric

*A 5 x 5″ square of light, fusible interfacing

*Strong sewing thread (I use Gutermann Sew All)

*A sewing needle

*A button to finish with

Begin by cutting the fusible interfacing to fit on the fabric piece. My original fabric piece was larger than 5 x 5″, so I place the interfacing on first. Make sure that you have the correct side of interfacing facing the fabric, otherwise you may destroy your iron! Place a pressing cloth over the top of the interfacing for extra protection. Iron it on and allow to cool once properly fused.

Use an object as a traceable template (I used masking tape) to draw a circle onto your interfacing. It’s fine to use pen, as it only marks the interfacing and will provide a cutting line.

Cut out your circle. Sharp scissors are very handy at this point.

Thread your sewing needle with around a 15″ length of thread and knot the end. Take the needle down through the interfacing side, about 1 centimetre in from the edge.

Stitch a running stitch, making the length of your stitch also around a centimetre in length and maintaining a fairly consistent distance between the stitches.

Continue all the way around the circle.

Pull gently on the end of your thread and the fabric will begin to gather up.

Continue gathering until the fabric forms a hole in the centre and can’t gather anymore.

Now you can decide what you will place in the middle. I’m using a Dorset button that I made previously. If you’re interested in learning more about Dorset buttons or making one yourself, I recommend GinaB Silkworks.

My button is flat backed, so I’m taking my still attached thread through the back of it to begin stitching it on.

Continue to stitch through the button to the back of your puff with small stitches until it’s fully attached and none of the raw edges of your circle hole are showing. Knot off the thread and sink it into the back of the puff where it won’t be seen.

Ta da! What an easy peasy use of scrap fabric! I think these ones should be made into brooches so they can be shown off well.

If you are interested in learning how to make buttons with your hand woven fabric, I have a members only class that shows you how to do that.

This tutorial is available in video format here-

What do you think? Do you have any scraps of hand woven that could be used to make a YoYo? And what about the Dorset buttons, are you interested in having a go at those too? Let me know in the comments, I love to hear from you!

Until next time…

Happy Weaving!

Filed Under: Free Pattern, Free tutorial, Rigid heddle weaving, Sewing, Table loom weaving, Tutorials, Weaving Tagged With: tutorial, yoyo

How to show off a multi coloured warp

by Kelly 8 Comments

A frequently asked question is “how do I best show off my warp?” and it’s usually asked in relation to having bright colours, lots of colours or a gradient in the warp.

If you have spent a lot of time on your warp to arrange the colours just the way you want to, you certainly don’t want to obscure all that beauty by weaving with an inappropriate weft.

In the planning stages of your warp, you will want to think a lot about how your warp colours will look side by side. There are several ways to visualise this. You can use colouring pencils to just draw and colour in bands of colour next to each other on a blank piece of paper to see if they look pleasing to you.

You can also grab some short lengths of the intended colours in the yarn you are using and twist them together a couple of times. They will twirl around each other and give you an idea of how they will behave side by side.

You can also do a wrapping as I have here, which gives a great visual representation of colours and thicknesses of stripes. I teach you how to do this in my members only Gaining Confidence with Colour class.

It is best that you also plan which weft you will use, but it can be hard to know how different colours and yarns will look on the loom. I highly recommend that you take the time and a little extra yarn to warp up a sampler, which will take all of the guess work out of the project.

In this article, I am sharing some of my samples from my new members only Options for Showing Warp Colours class. The class goes into plenty of detail with yarns used, weaving structures and demonstrations that will give you lots of ideas for your next colourful warp.

All my samples, excepting one, were woven with woollen yarn but not all in the same thickness. My first sample was a white wool. I particularly wanted to show you how a white weft has the effect of toning bright colours right down. That can be desirable in some circumstances, and not in others. It’s best to know these things before you begin your project to avoid disappointment!

I’ll readily admit that this sample makes me cringe, but perhaps for another weaver it might be just to their taste. Once again, sampling is invaluable in helping to reveal your own personal likes and dislikes. So, while this balanced plain weave sample doesn’t appeal to me in the slightest, that doesn’t mean that I’m against all white wefts!

For my second Wash Your Hands Towel I also used a white weft, but look at the difference! In this case, due to the arrangement of colours in the weft and a lovely pick up pattern, white really makes this towel pop in a way that I love.

The second sample is the opposite of the first in that it uses black as the weft. I didn’t have any black in the same weight as the warp, so I used a lighter weight. I had to be careful to beat gently to avoid obscuring the warp altogether. I don’t often use much black in my weaving, as it tends to be so dominant. It can be perfect when pairing with another solid, contrasting colour and an interesting pattern, but for plain weave, once again, I’m not a fan.

I don’t mind the way the black has little pops of the warp colour, but I do feel that it just wants to take over all those colours I spent time carefully warping!

The third sample was a plain weave in dark grey. Dark grey is my preferred option for when I want my warp colours to shine. It seems to harmonise and compliment rather than dominate.

Now on to my favourite option – grey with pick up. This is a total win win situation in my opinion. You have the non obtrusive grey and the openness of the pick up to allow that warp to shine. I find this the most complimentary combination of weft and warp.

These have both been wet finished.

Before I go, I want to show you some of my favourite projects woven with colourful, gradient warps and grey weft in pick up patterns, just to inspire you!

This one is my favourite. It took me a long time to dye that rainbow gradient warp!
Note the reversibility of the design – one side shows weft floats while the other shows warp floats. Pretty cool huh?

I hope this post has helped you to think about ways that you might use wefts to make your warp a stand out. If topics like this are interesting and useful to you, I’m sure you will love my Online Weaving School. There are single classes or memberships available for purchase.

If you are interested to know more about pick up sticks, you will find this article very useful.

As always, if you have any questions or if you enjoyed reading this, please leave me a comment, I love to read them!

Until next time…

Happy Weaving!

Filed Under: Inspiration, Online Weaving School, Rigid heddle weaving, Tutorials, Weaving Tagged With: colour, warping options, weaving advice

The Weaver’s Toolkit for rigid heddle weaving

by Kelly 2 Comments

There is a lot of information available for newer rigid heddle weavers nowadays, not like when I started and almost felt that I was on my own. But the problem that arises when there are so many resources is trying to make sense of them and put them all together. I thought it was time for me to do something about that!

I created the Weaver’s Toolkit e-booklet as a quick reference guide and go – to resource. It is invaluable to newer weavers, but also to seasoned rigid heddle weavers as a way of having important and useful information all together in one place. As with all my content, I’ve packed in as much information as I could for a really affordable price.

Oh, and it’s pretty too! ❤️

The thing that I really love about teaching weaving and having a large online audience is that my people tell me what they need. I hear about the most common weaving difficulties and the problems that plague them the most. And then I get to help by offering advice, links and resources like the Weaver’s Toolkit!

*This post contains an affiliate link

So, let’s have a look at what is actually in this e-booklet.

Available as a digital download from my Etsy shop, the Weaver’s Toolkit is a 22 page e-booklet that covers some really important information and guides.

I wrote the e-booklet for rigid heddle weavers, so all of the information applies to the rigid heddle loom.

I started out with calculation sheets. These are just so important when you’re starting to weave, the mathematics takes a little getting used to, but once you are, you can plan to weave anything. I use these sheets with every single project I weave. Not only for planning purposes, but also as an important record of the project specifics once I’ve finished.

The calculations sheets included in the e-booklet are similar to the free sheets you can find here, but are more detailed and much more attractive to look at!

There is a record sheet aside from the calculations sheet that will help you to properly record all the details from your project to prevent “project amnesia” (it’s not just me that suffers from this condition, right?)

The yarn conversion charts are so useful. Something I’ve found a difficulty as a weaver (and I know many of you do too!) is trying to decipher different yarn names from country to country. The names, the thicknesses, the appropriate uses of the yarn, it can be so confusing! The quick reference sheets in the Weaver’s Toolkit makes it easy.

I have a section on sett, which I thought was really essential to include in the booklet. One you understand how to properly measure your yarn for an appropriate sett, you will completely take the guess work and anxiety out of any project. The yarn will tell you what to do, you just have to know how to listen, and I explain it and give links for additional resources. It’s easy once you know how!

I also have information on tools you need for rigid heddle weaving, what you don’t need, and what could be handy for you to own down the track.

The measurement conversion sheets are another handy guide included, to help you quickly and easily translate patterns or projects into the terms that you personally know and use.

The glossary of weaving terms demystifies common terms used in rigid heddle weaving so that you can look them up whenever you need to and begin to memorise them over time.

Finally, there is a sizing chart for typical projects or items you might want to weave. Things like baby blankets, household linens, and bedding. This will help you to plan for the dimensions needed for many items you will be weaving.

To recap what exactly you get when you purchase the Weaver’s Toolkit, here is a list of topics covered:

*Detailed calculating warp and weft sheets

*Project record sheet

*Knitting yarn conversion chart

*Knitting yarns and the rigid heddle loom chart

*Weaving yarns size and recommendations charts

*Sett explanation and instruction pages

*Rigid Heddle Weaving tools pages

*Measurement conversions sheets

*Glossary of common weaving terms sheets

*Typical project sizing charts

All of this is collated into a digital file which, once downloaded, you can print out and keep as a quick reference guide.

The calculations and record sheets can be printed and used over and over for every weaving project you undertake. I’ve provided calculations sheets with and without artwork, for those who may wish to economise on ink.

The Weaver’s Toolkit is available to purchase, download and print right now by clicking on the link below.

Yes, please take me to the Weaver’s Toolkit…

If you have any questions about the booklet, please leave them in the comments below, I love to hear from you!

Until next time…

Happy Weaving!

Filed Under: Rigid heddle weaving, Weaving Tagged With: ebook, ebooklet, rigidheddleweaving, weavers toolkit, weaving, weaving guide

How to weave Reindeer on your rigid heddle loom

by Kelly 4 Comments

Weaving Reindeer on your rigid heddle loom is a fun Christmas project! This follows on from my recent post on weaving Snowmen on a rigid heddle loom.

*This post contains affiliate links

To weave reindeer, we use the same technique of a type of overshot. I was originally inspired to utilise this type of weaving on my rigid heddle loom when I was researching Russian Branoe weaving. I was completely taken by the types and varieties of designs I saw in the examples of Russian work. My mind began working overtime as I thought about how to chart designs and which designs might actually work. If you check out my Pinterest Weaving Board, you will see many wonderful examples of this patterning work.

Just like the snowmen, the pattern is all woven by picking up in front of the heddle, with the heddle in neutral. We weave tabby (plain weave) in between the pattern wefts in order to stabilise the fabric.

If this topic interests you, check out this playlist on Youtube to see all the videos I’ve made employing this same technique.

If you’re wondering how I came up with these designs, firstly I would have an idea for a design. Then I would try to map it out using graph paper by colouring individual blocks (1 block would represent one warp or weft thread) in and leaving others empty until I had a good representation of the image I wanted. Using graph paper also ensures that you can plan for the desired amount of space between each image. This is important because the empty spaces are just as important as the filled spaces to make the design. Some images do not translate well to the loom, as I’ve discovered, but it sure is fun to try!

If you want to weave some reindeer of your own here is what you will need

A rigid heddle loom (I used my 24″ but a Sampleit size is fine if you just want a small sample)

10 dent reed

A pick up stick (it needs to be longer than the width of your project)

A knitting needle is handy but not essential

A tapestry needle

Yarns-

There are no set yarns for this project, but I will share what worked well for me and give suggestions for possible alternatives.

For the warp I used a light worsted/dk weight (Australian 8 ply) wool in white.

My tabby weft (background weft) was a lighter but strong coloured light worsted/dk weight (Australian 8 ply) in wool. 

For the pattern weft, I used a lovely brown alpaca in a light worsted/dk weight. Animal fibres work really well when you’re trying to depict animals in your weaving!

The red and green borders were made with some green and red light worsted/dk wool.

For the embroidered antlers, eyes and noses I used black and red wool in a fingering weight. You don’t need to be a great embroiderer as the details are all just worked in simple straight stitches. You could also use embroidery floss to work the features, if you prefer. Here are some suggestions:

DMC Embroidery floss (my favourite brand)

Anchor Embroidery floss

If you decide to use embroidery floss, don’t separate the strands, use all 6 of them for just the right thickness. Oh, and don’t forget a red nose for our friend Rudolph!

I’ve made the weaving sequence into a printable PDF to make your weaving life just that little bit easier 😉

Reindeer-weaving-sequence Printable PDFDownload

And here is the link to the video that you can use together with this post and the PDF to weave your own lovely little reindeer.

If you’re interested in exploring this technique even further, I recommend my Exploring Branoe Online Weaving class.

I hope this post was helpful to you! I would love to hear your thoughts on this tutorial and answer your questions in the comments section below.

Until next time…

Happy Weaving!

Filed Under: Free Pattern, Free tutorial, Rigid heddle weaving, Tutorials, Weaving Tagged With: how to weave, rigid heddle weaving tutorial, rudolph

How to make a reed stand from wood

by Kelly 8 Comments

If you’re working in a small weaving space like I am, a reed stand is really invaluable for keeping tools organised and tidy.

Until recently, my “reed stand” in my studio space was an old, round laundry basket with medium height sides. All of my rigid heddle reeds were thrown in there together, along with my pick up sticks, stick shuttles and cardboard separators. Oh boy, it was a mess and very difficult to find what I wanted in a hurry.

A purchased reed stand will set you back from anywhere between $250 – 400 USD! I would rather spend that kind of cash on yarn and additional weaving supplies. When I told my frugal minded husband of my dilemma, he was all in.

*This post contains affiliate links

He drew up some basic plans based on what I told him I needed. The purchase of the wood for the project cost around $30AUD and he used tools he already had, like his hand saw and electric drill to put it together.

He readily admits that the hand saw is not perfect, and measurements will not always be spot on, but it all came together beautifully regardless. So, if you only have the most simple woodworking tools, you can certainly complete this project.

Our reed stand is made from untreated pine but you can certainly source your own appropriate lumber. We bought a couple of lengths and then cut them to size. All measurements are given in the printable PDF, which should be used in conjunction with the video.

The basic tools you will need for this project are:

*Wood and wooden dowel

*Handsaw (if you have a more sophisticated woodworking set up with electric tools, obviously you will want to use what you have).

*Electric drill and various drill bits (a hand powered drill would also work but the electric one just makes things quick and easy)

*Screws

*Candle wax (not essential but makes the positioning of screws much easier)

*Ruler or tape measure

*Pencil for marking measurements

*PVA or wood glue

You can download the printable PDF here-

Reed-stand-pieces-and-measurements PDFDownload

If you wish to stain or paint your reed holder, this would be much more easily done before assembly.

The finished dimensions of the reed stand are as follows:

66cm length x 23.5cm width x 61cm height

Don’t forget to watch the video, as well as refer to the PDF, as you will find some information in each that is very important for the completion of the project.

Have you visited my Online Weaving School? You can choose from a huge variety of single classes or if you want to dive right in, there are memberships available.

The giveaway is still running until the end of the month, so if you haven’t entered yet, you can do that here.

Hey, seeing as we saved $220- $370, does that mean that I get to buy yarn with the savings? I haven’t broached that topic with my husband yet… 😆

I hope you enjoy the project. Until next time…

Happy Weaving!

Filed Under: Free Pattern, Free tutorial, Rigid heddle weaving, Tutorials, Weaving, Woodworking Tagged With: free project, free tutorial, reed holder, woodworking

Online Weaving School 3 year anniversary giveaway!

by Kelly

It’s hard to believe that 3 years have passed since I began my Online Weaving School. Many of you have been with me for all of that time and longer, but if you’re new here, I’d like to tell you a little about my teaching journey.

*This post contains affiliate links

I’ve always been a creative person but making things with my hands became more important to me when I found myself an at home Mum with 4 children. The urge to relax and create became very strong and somewhat vital. I needed that quiet, meditative time away from my regular daily duties.

I started with embroidery after my mother in law gifted me with some vintage supplies. Then I got a sewing machine and started sewing clothes for my kids. From there I started making dolls. This began my relationship with Etsy, where I sold my dolls. Then bear making, quilting, knitting, spinning, dyeing and weaving. Many of these were learned books, some from just teaching myself and some (especially knitting) from Youtube. Youtube was just becoming a thing at that time. When I came to weaving, I found it the perfect culmination of so many of the arts and skills I had already been practicing for years. When I found weaving, I felt like I had come home.

After I had been weaving for some time and felt very confident at my rigid heddle loom, I felt that I really wanted to share some of the wonderful things I had learned. I was almost bursting with excitement and passion but I didn’t know any other weavers at all.

So I made a video and uploaded it to Youtube. I didn’t know anything about how to teach or how to use Youtube. My son helped me to film and edit to make the video passable. I expected nothing, I didn’t even think about whether anyone would be interested. I just thought it might help someone and I wanted to share.

As it turns out, that video is still helping weavers, 5 years later! People loved the video and asked for more. I made more. And I loved it. It was so rewarding to know that I could help others and share this passion for weaving.

After a while, my Youtube hobby was starting to cost a lot of money in materials and the meagre income from Youtube ads didn’t even begin to cover the expense. I was a stay at home Mum, homeschooling her children and relying on my husband to earn enough income to keep us fed and clothed.

So, using a Youtube paid channel, I started to (gasp! how could I even dare to!) charge for classes. This was a big mind shift for me. People wanted to pay me in exchange for classes!! I still ran my free channel, but the paid channel was a huge blessing. Now at least I could cover my expenses, even if I still wasn’t really earning anything extra. When the Youtube paid channels ceased to exist, I had a fairly sizeable following of enthusiastic weavers. And they still wanted more! So, I found Teachable and set up my tiny Online Weaving School and community.

3 years later, that “tiny” weaving school has grown to over 4000 registered users and 750 paid memberships and is still growing! I am still pinching myself. Thanks to the constant support from my wonderful and loyal students, I now provide the income for my family of 6. This is something I never would have dreamed could happen and I have learned so much. I would go so far as to say that having my weaving school has transformed me as a person – or perhaps better to say, it has formed me into the person I was meant to be.

Aside from all of the obvious benefits the success of the school has brought me are the less obvious blessings. The beautiful friendships and relationships I’ve encountered with weavers all over the world. The ability to help others not just to learn to weave, but to share other difficult life burdens. It is amazing to be in a position where you feel you can truly make a difference to the lives of others!

If you already know or follow me, then you will be aware of my recent free project, The Wash Your Hands Towels. I designed these towels in the time of uncertainty while the world was suffering from the effects (and still is) of the coronavirus pandemic. This has been a hugely popular project and seemed to come at just the right time for many weavers at home under lockdown. I’ve seen lots of different versions completed in a big variety of colours, it’s been wonderful to see.

So, I thought a very appropriate way to celebrate this 3 year milestone would be to give away a Wash Your Hands Towels Kit. This kit will be a one off, as I don’t have plans to make kits available for sale.

Included in the kit is all the beautiful Australian cotton yarn you need to make two towels plus a paper printed PDF. You use the PDF in conjunction with the video tutorial. If you wish to know what you need to complete this rigid heddle project, read this post that has all the details.

This giveaway is open to all, wherever you happen to be in the world. Entries are open until the end of this month of May 2020.

To enter the giveaway, please leave me a comment here (only comments on this blog post will be considered entries) and tell me why you would like to win.

Make sure you are on my email list to keep up to date with the giveaway and for the winner announcement.

I look forward to reading all your comments and drawing a winner!

THIS GIVEAWAY IS NOW CLOSED. CONGRATULATIONS TO THE WINNER – VEENA RAGHAVEN!

Until next time…

Happy Weaving!

Filed Under: Free Pattern, Free tutorial, Giveaways, Inspiration, Online Weaving School, Rigid heddle weaving, Weaving Tagged With: anniversary, celebration, giveaway, kit, online weaving school, rigid heddle weaving tutorial, wash your hands towels

Life after lockdown – How to plan and prioritise with a daily practice planner

by Kelly 7 Comments

Some parts of the world are beginning to emerge from the COVID 19 pandemic crisis by tentatively lifting restrictions on lockdown and stay at home orders.

*Disclaimer – I am not a medical doctor or psychologist. I’m just a person living life and making observations. If you are concerned about any aspect of your mental health, please seek help from medical professionals.

Here in Australia, the government is moving ahead with plans to reinstate some freedoms we enjoyed before we all learned the term “coronavirus”.

As an online creator who has the privilege of being in touch with people from all different backgrounds from all over the world, I have unexpectedly learned a lot over this lockdown period. Mostly about my fellow humans.

I’ve seen a huge surge of people who, temporarily released from the obligations of a “normal” life, have found wonderful ways to fill the gaps and use their time productively. Weaving, baking bread, making and doing in a way that we have not previously seen. I wrote about this at the beginning of the pandemic, sharing how much I was enjoying a return to simpler times.

My Online Weaving School has seen one if it’s biggest months, with so many new members joining and eager to learn. In a time of great uncertainty, by business is going ahead in leaps and bounds.

In some ways, it seems lock down is just what the doctor ordered for so many people. Even for those who switched from a workplace to working at home, they have found that they have so much extra time without having to commute to and from work and expending energy to do so.

My Winter Butterscotch Pudding

It has been really wonderful for me to watch so many people joyfully finding the time to do what they would rather be doing, or discovering new learning opportunities and diving right in. How inspiring!

But, something concerns me about all this new found fervour.

What happens when everything goes back to normal?

How are people going to reconcile their former lives with their current (perhaps much preferred?) lives? People still have to work for a living, how will they find the time to continue pursuing the things they truly want to do?

Now is a great time to ponder such questions and to begin planning. Setting aside some time to make plans is going to make you feel a whole lot better about your future. There is something about having goals written down on paper that can soothe anxiety and empower you to feel in control of your life.

I’ve put together a very basic but rather pretty Daily Practice Planner that has helped me to gather and organise my thoughts in a really manageable way.

Here is what the blank planner looks like. I’ll take you through some of my own planning as an example. I don’t want you to copy what I’ve written, but to use it as a guide. You should write down what is most relevant to you and your own life.

Let’s start with column one – Important Daily Practices. Generally these are things that you are already doing, but if there are practices you would like to incorporate into each day, write them down as well. Print out as many sheets as you need to accomodate your daily practices or import the file into Adobe Acrobat where you can edit PDFs.

My first important daily practice is “Faith and Spirituality”. Under “What it looks like currently“. I’ve written the basics of what this topic looks like for me in my everyday life. When you write down what your topic currently looks like, be honest, don’t try to sugar coat it. No one has to see this list, it’s for your benefit only.

Working across, I fill in the next column “How I wish it looked ideally“. This is like the best case scenario column. If you could have that daily practice exactly how you want to, what would it be? Write it in and don’t worry if it seems too perfect or not achievable.

Now for the last column. This is the back down to earth column. It’s a recognition that nothing is perfect and your “ideal” may not be the most realistic thing for you. It’s validating the fact that you have higher ideals and it’s going to help you to move towards “better” not “perfect”. It is also to prove to yourself that you are not a victim of your circumstances. Yes, most people have to work for a living and yes, that can take a lot of time and yes, you may wish you could just do what you want to do instead. But this column shows you that you can make positive changes to fill that necessary cup of self investment.

So, for my last column, instead of writing down “attend daily Mass”, which I know is not really achievable for me due to time, work and family demands, I have written what I know can be achievable for me – “go to 1 additional Mass per week”. I can make that work, I can pick the day of the week to make it happen and I’m not tied in to commitment if I can’t do it every single week. It’s a good place to start. Likewise, with the 1 page per day of the bible. It’s about making a habit and keeping it but making it as easy as possible so that I will actually do it. These things are stepping stones that may eventually equate to bigger and better goals, but for now it’s more important to just make a start.

Here is my first page completed and I will likely print out at least one more page. You can do as many as you like, but don’t overwhelm yourself by trying to make too many changes at once or overthinking it.

Print your PDF here:

Daily-Practice-Planner.pngDownload

So, what do you think, would this be a beneficial activity for you? Plans can and do change, but taking a few minutes to fill out your own chart could be just what you need.

Leave me a comment if you complete a sheet and let me know how it helped you, I would love to hear all about it!

Until next time…

Happy Weaving!

Filed Under: Health and home, Inspiration, Weaving Tagged With: creative life, self help

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